Aegean in place
Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
14 pieces since 2012 — at 1 company, most often at Metropolitan Opera.
Greek National Opera’s Medea in the ancient theater at Epidaurus is an intermittently rewarding exercise in nostalgia.
In any case, we probably got as good a Tannhäuser cast as could be assembled these days.
Old opera productions at the end of their performing life can be sad affairs.
On this day in 1986, the Metropolitan Opera opened its season with a new production of Wagner’s Die Walküre.
I still remember, and some of it quite vividly, what it was like to experience Achim Freyer‘s intense and groundbreaking Ring production all these years later.
On this day in 1967 Herbert von Karajan first appeared at the Metropolitan Opera conducting and directing Die Walküre.
So, how excited are you to read another piece about the Mary Zimmerman Rusalka?
Today’s Rusalka video overview covers filmed performances of Dvorák’s opera since 2010.
With Christmas Eve 2016 falling on a Saturday, the Met offers contrasting orchestral splendors at noon and 6 p.m.
This week’s “Trove Thursday” features noted Wagnerian Hildegard Behrens revisiting Rusalka, one of her early, lyric roles.
Between them, Maria Guleghina, Marcello Giordani, James Morris and John Del Carlo have nearly 150 combined years of service on stage.
Although the season is less than three weeks old, Metropolitan Opera audiences may hear nothing else this season as beautiful as Peter Mattei’s “Song to the Evening Star.”
The winter 2014 final run of the Met’s first/only Rusalka production (a new one is scheduled in a few seasons) seemed both a nod to the theater’s past and a hint of its future.
This new DVD release from EMI of the Royal Opera’s latest production of Puccini’s Tosca will no doubt be snatched up by hordes of grateful fans around the globe.
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