San Francisco goes baroque with performances of Handel‘s Alcina, Tolomeo, and Rinaldo.
Daring reimaginings of Cocteau and Wilde take the stage at the Los Angeles Philharmonic.
A conversation with maestro Gil Rose of Odyssey Opera.
In the program for Opera Omnia’s production of Monteverdi’s Il ritorno di Ulisse, Crystal Manich, the company’s stage director, speaks of producing “baroque works in non-traditional ways.”
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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