Multiple Mascagni
Cavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.
46 pieces since 2008 — in 12 roles, at 6 companies, most often at La Scala.
5 pieces as La Scala — stats above show all coverage for Giulietta Simionato.
View allCavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.
La Cieca is sort of out of words trying to describe what makes a great performance of the role of Norma, as opposed to the conscientious traversal of the notes.
To imagine that I have anything new to say about Maria Callas’ 1957 performance of Anna Bolena at La Scala is sheer pomposity.
We approach, beloveds, as unto a shrine, for these are no ordinary performances.
I’ve been a big fan of Donizetti’s Anna Bolena since I first heard it on recording and have always felt that it deserved a definitive recorded performance. Here’s a brief tour of why this hasn’t happened. There’s the Bible, also known as the live Scala relay with Callas and Simionato and musical cuts so egregious […]
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