Despite the diminishing returns of her vocal means, Edita Gruberova‘s last years of her career were if anything more successful than ever.
American soprano Gianna Rolandi died Sunday morning, according to a number of her friends and colleagues. She was 68.
A recent discussion here about Gianna Rolandi prompts Trove Thursday to present the American soprano in a rare trouser role in an even rarer opera, Cimarosa’s Gli Orazi e I Curiazi paired with Anna Caterina Antonacci.
Michael Mayer‘s production of La traviata at the Met is so timid, so devoid of insight, so cynically pandering and gaudy that I hardly feel like it even matters what I think of the performances of the current cast.
Lakmé, stars Ruth Welting, Alfredo Kraus, and Paul Plishka, conducted by Nicola Rescigno.
This week Trove Thursday endeavors to broaden his exposure with a bubbly performance of Il Marito Disperato starring Sylvia Geszty.
Mimìs, Violettas, and Cio-Cio-Sans may live, love, and meet their ends without a tear from me, but I have never left a performance of Janácek’s The Cunning Little Vixen dry-eyed.
That’s what it must have been like in 1726 London when Handel composed Alessandro for perhaps the three most famous (and expensive) singers of the day.
Igor Stravinsky was a bit of a musical shapeshifter in his day, especially when compared to his contemporaries in early 20th century Europe. Given, the time in which Stravinsky was living in Europe was one of the most dynamic periods in recent history, but few were able to consistently generate music of such varying style…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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