Der Meisterdirigent
Christian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.
18 pieces since 2009 — in 10 roles, at 8 companies, most often at Salzburg Festival.
5 pieces as Elektra — stats above show all coverage for Evelyn Herlitzius.
View allChristian Thielemann is widely regarded as our time’s preeminent master of the Austro-German symphonic ensemble.
Patrice Chéreau‘s Elektra brims with ideas beyond its eschewing of the opera’s standard, hysterical trappings.
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”
None of my previous Elektra experiences prepared me for this stunning, overwhelming performance from the Festival d’Aix-en-Provence.
“Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened?
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