A pair of Otellos – in Madrid and Parma – is a study in contrasts.
Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’
A pair of Otellos – in Madrid and Parma – is a study in contrasts.
Asmik Grigorian’s scorching turn in Il trittico in Paris has Nigel Wilkinson wondering, ‘what is it that makes Americans so weepy?’