Sack of Rome
Finding Britten’s The Rape of Lucretia on the Academy of Vocal Arts calendar was both a pleasure and something of a surprise—the latter because the work is far from central repertoire, even in a conservatory.
4 pieces since 2019 — in 3 roles, at 3 companies, most often at Academy of Vocal Arts.
Finding Britten’s The Rape of Lucretia on the Academy of Vocal Arts calendar was both a pleasure and something of a surprise—the latter because the work is far from central repertoire, even in a conservatory.
When soprano Yihan Duan started to sing her aria, you could feel an almost electric charge that something special was happening.
If it didn’t all work, it wouldn’t work at all.
There was something very Russian—indeed, Chekhovian—about the mix of joy and tears, as the Academy of Vocal Arts performed Tchaikovsky’s Eugene Onegin
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