NYCO, out(doors) and proud
The New York City Opera has become an elusive “now you see it, now you don’t” presence in the New York opera scene since the departure of main sponsor and chairman of the board Roy G. Niederhoffer in 2019.
5 pieces since 2022 — in 5 roles, at 1 company, most often at Wolf Trap Opera.
The New York City Opera has become an elusive “now you see it, now you don’t” presence in the New York opera scene since the departure of main sponsor and chairman of the board Roy G. Niederhoffer in 2019.
Wolf Trap Opera concluded its 2025 summer season last month with a production of Carmen that was vocally strong, though not entirely dramatically satisfying, amid challenging weather.
Nothing says “diva” like an insane recital program.
Wolf Trap Opera kicked off its summer season with an inventive production of Wolfgang Amadeus Mozart’s Le Nozze di Figaro inspired by Pablo Picasso that showcased up-and-coming singers.
Wolf Trap Opera presented a lovely Eugene Onegin with particularly noteworthy performances by Magdalena Kuźma and Daniel O’Hearn.
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