The pleasure of her company
It is not easy for an opera company to follow a spectacular production of La Traviata with Massenet’s Manon.
4 pieces since 2014 — in 4 roles, at 3 companies, most often at San Francisco Opera.
It is not easy for an opera company to follow a spectacular production of La Traviata with Massenet’s Manon.
Even before Italian diva Mariella Devia had completed the stunning high D natural that capped her miraculous portrayal of Elisabetta in Donizetti’s Roberto Devereux Thursday evening at Carnegie Hall, tens, then hundreds of those in attendance leapt to their feet to shout their acclaim.
Maria Agresta‘s delicately-acted, sumptuously-sung seamstress transformed what might have been just an average Wednesday night revival into something finer.
San Francisco Opera opened their 2018-19 Season Friday with a double bill of Italian verismo operas, Cavalleria rusticana and Pagliacci, which made a welcome return to War Memorial Opera House after 15 years.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.