Is that how they do it?
Così fan tutte presents a considerable challenge to the modern director.
3 pieces since 2015 — at 2 companies, most often at LA Opera.
Così fan tutte presents a considerable challenge to the modern director.
I entered the Dorothy Chandler Pavilion on Saturday night for LA Opera’s 30 year old revival of their production of Salome with a combination of enthusiasm and apprehension.
Gluck’s Iphigénie en Aulide (1774), the occasion of his Paris debut, gets far less respect than her sequel, Iphigénie en Tauride.
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