Someday she’ll come along, the girl I love
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
Christoph von Dohnanyi
8 pieces since 2005 — at 3 companies, most often at Paris Opera.
8
pieces
3
companies
22
years
By company
This is a gala day for you
On October 14, 1979 I spent my birthday attending my first all-star opera gala, thrilled at the chance to hear some of the great singers I’d only experienced on LPs, broadcasts or via my pirate reel-to-reel tapes.
The octogenarian muse
Helga Dernesch is the singer whom I largely credit for rekindling my love for opera.
Dancer in the dark
Patrice Chéreau‘s Elektra brims with ideas beyond its eschewing of the opera’s standard, hysterical trappings.
The constant nymph
The old adage “the third time’s the charm” proved to be the case with me and Daphne, Richard Strauss’s ravishing bukolische Tragödie, when I recently heard it performed by Franz Welser-Möst and the Cleveland Orchestra.
Not only with words, but with lively gestures
“I will never sing the role again. It was frightful. We were a set of madwomen…There is nothing beyond Elektra. We have lived and reached the furthest boundaries in dramatic writing for the voice with Wagner. But Richard Strauss goes beyond him. His singing voices are lost. We have come to a full stop.”
To dye for
The only thing better than knowing that a singer has had the greatest Sternstunde of her career is having that performance documented. Montserrat Caballe‘s Norma at Orange, for example, which is one of truly must-have DVDs for any true opera fanatic. Now, Dame Gwyneth Jones has had many great nights in her amazing career, but […]
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Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
