The best thing I saw in 2025 was Christina Nilsson in Aïda
Christina Nilsson‘s successful Met debut as Aïda was for me one of the shining highlights of the 2025 season.
14 pieces since 2015 — in 5 roles, at 3 companies, most often at Metropolitan Opera.
Christina Nilsson‘s successful Met debut as Aïda was for me one of the shining highlights of the 2025 season.
Elina Garanca is back at the Met for the first time since 2020 — her Amneris is, in a word, sensational.
Christina Nilsson‘s debut enlivens the Met’s new Aïda.
Matthias Davids‘s reactionary new production of Die Meistersinger von Nürnberg might be fun, but no one comes to Bayreuth for fun.
Valentin Schwarz‘s and Simone Young‘s Ring, in its final outing at Bayreuth, is dramaturgically messy and musically excellent.
On this day in 1883 the Metropolitan Opera House opened with Gounod‘s Faust.
On this day in 1883 the Metropolitan Opera House opened with Gounod‘s Faust.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
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