Tree for the show
The late-mid 1730s were transitional years for Handel, to put it nicely.
7 pieces since 2017 — in 4 roles, at 3 companies, most often at Academy of Vocal Arts.
The late-mid 1730s were transitional years for Handel, to put it nicely.
Donizetti’s La Favorite remains a relative rarity in the repertoire, especially in the original French version.
Così fan tutte, Mozart’s final Italian comedy with Lorenzo Da Ponte, is this season’s heaviest lift for Philadelphia’s Academy of Vocal Arts (AVA).
Since 1934, Philadelphia’s Academy of Vocal Arts has been preparing emerging artists for operatic careers.
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