Sorry/Ungrateful
Katrina Lenk’s Bobbie dutifully channels an assertive, contemporary, sexually confident female persona, but it doesn’t feel fully realized or convincing.
4 pieces since 2014.
Katrina Lenk’s Bobbie dutifully channels an assertive, contemporary, sexually confident female persona, but it doesn’t feel fully realized or convincing.
Bus Stop deals with uncomfortable questions of sex and longing, and it also examines a desire for human connection that often comes up short.
Forty-five years ago today, Stephen Sondheim’s brilliant, frustrating Follies played its first Broadway preview at the Winter Garden Theatre.
With the help of our friends at ArtHaus Musik, the Deutsche Oper Berlin have really been emptying out their archives and that’s certainly all for the good.
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