Before rehearsals for Madama Butterfly started, Phil Chan sat down with the box to chat about his production, opera’s cultural appropriation problem, and why the last thing he’s trying to do is cancel Puccini.
La Cieca doesn’t branch out into The Film very often (even though she is quite the ardent cinephile) but the recent release—or, at any rate, the reaction to the recent release—of Baz Luhrmann‘s film of The Great Gatsby served to crystallize a few ideas bubbling about in your doyenne’s brain.
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