Francesco Filidei’s new opera The Name of the Rose struggles to bridge the past and the present in Milan
Over the weekend, Opera Parallèle, San Francisco’s contemporary opera company, stayed true to their mission of “merging tradition and innovation to re-invent opera for a modern world” as they presented a world premiere double-bill cheekily titled Birds & Balls at SFJazz Center’s Miner Auditorium.
Norman Dello Joio, who was knocking about winning prizes for film and TV scores, composed The Trial at Rouen, his second opera on the subject, for NBC.
Tonight’s program at the New York Philharmonic, Arthur Honegger’s massive oratorio dramatique Jeanne d’Arc au Bûcher, has been an occasional visitor to the orchestra’s repertoire starting with the performance conducted by Charles Munch in January of 1948.
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