A matinée, a Pinto play A matinée, a Pinto play

Perhaps a piece of Mahler’s? For Wagner Month, Chris’s Cache offers the unexpected collaboration Die drei Pintos, started by Wagner-predecessor Carl Maria von Weber and completed by one of Wagner’s followers, Gustav Mahler

Come, young waverers Come, young waverers

Too young to be in love. But not too young to go to war or to die.

No country for gold men No country for gold men

Trove Thursday offers two very different live recordings of Halévy’s grand opera La Juive.

Strange music Strange music

Just over a month ago the great Catalan soprano Montserrat Caballé died at age 85.

Do get me wrong Do get me wrong

Celebrating its third anniversary and next week’s Met opening, “Trove Thursday” offers a sumptuous banquet of the third and final chapter of divas in the “wrong language.”

Hooray for Holy Land Hooray for Holy Land

Trove Thursday presents as compensation Verdi’s Jérusalem with Cecilia Gasdia, Veriano Luchetti and Silvano Carroli conducted by Donato Renzetti.

Cid; vicious Cid; vicious

In his first appearance on the stage of Paris’ Palais Garnier, Roberto Alagna, as the newly knighted Rodrigue, was confronted with a profound dilemma.

Count me in Count me in

The legions of New York opera buffs who now can’t talk about anything but Javier Camarena will be happy to know that there’s now a DVD release of their new favorite tenor in Rossini’s Le Comte Ory available.

Platée du jour Platée du jour

What must have raced through the mind of the none-too-comely Spanish Infanta when she learned that the opera to be performed during the celebrations for her 1745 wedding to the French Dauphin revolved around the comeuppance of an ugly yet vain water nymph tricked into believing Jupiter was her ardent suitor?

Gentleman prefers brunettes

It’s no easy easy task to “re-review” one of the most discussed and scrutinized opera productions of the last few years. Mary Zimmerman’s mise-en-scène of Donizetti’s Lucia di Lammermoor has been extensively examined since it was chosen to inaugurate the 2007/08 season of the Metropolitan Opera, provoking very mixed reactions both from the professional critics…

change partners

One of La Cieca’s most trusted spies wangled his way into the house last night for the surprise cast change in Lucia di Lammermoor, and here’s his report: Perhaps it is the side benefit of low expectations, but I was not offended by Anna Netrebko‘s performance on Tuesday night. Though certainly not a bel canto…

Does a big voice need defending?

Our Own Little Stevie reflects on the Met’s new Macbeth. I’d like to admit a guilty pleasure of mine: I’ve secretly been waiting with a lot of anticipation for Maria Guleghina to sing in Macbeth and Norma this year. I have not told this to many people because it seems that the common expectation has…

Di faci tuttavia splende il Costello!

Our Own Gualtier Maldè reflects on last night’s Met Lucia:The Met has often been accused and rightly so of ignoring young talent and waiting too long to hire up-and-coming new stars while hanging on to declining old favorites well past their sell-by date. Occasionally a promising new talent from the Young Artists Program will blossom…