È la solita storia del tenore È la solita storia del tenore

While Luciano Pavarotti may have brought opera to the people, once he realized how lucrative it could be, there was a string of promoters who helped him turn all that adoration into cold hard cash.

It’s a new dawn, it’s a new Dane It’s a new dawn, it’s a new Dane

C-major has made available the first DVD/Blu-ray of Franco Faccio’s Amleto.

“consider the lowly libretto…”

Classical Beatnik Anne Midgette, obviously still reeling from the experience of The Letter in Santa Fe, addresses a problem we’ve been seeing more and more of in opera: even those who supposedly love the art form, and who are involved in putting it on, are increasingly laboring under the delusion that it is inherently over-the-top,…

Who’s the missing star?

La Cieca was just wondering about something yesterday on opera-l, and doggone if Anne Midgette wasn’t wondering about the same thing today in the New York Times. (That woman haunts my dreams, I tell you. It’s like she’s inside my head. Now, where was I? Oh, yes…) The point that dear Anne and I (among…

Typography as destiny

Don’t get La Cieca wrong: the whole “Opera and Technology” panel last Friday was fascinating. But probably the most interesting bit of information shared all night was done after the formalities were ended. Anne Midgette got to talking with JJ and a few others about the layout style of the New York Times Arts section,…