Opera Syria
“The music’s fun, but doesn’t Rossini repeat himself?”
4 pieces since 2016 — in 4 roles, at 3 companies, most often at Caramoor Bel Canto Festival.
“The music’s fun, but doesn’t Rossini repeat himself?”
Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
Opera at Caramoor rallied Sunday afternoon with an admirable if erratic performance of Fidelio which was especially memorable for South African soprano Elza van den Heever’s thrilling first-ever Leonore.
If Darius Milhaud took a risk in adapting La Mère Coupable as an opera, it wasn’t the quirky, atonal style he used for his score.
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