Death becomes her and him
El último sueño de Frida y Diego at the Lyric Opera of Chicago is a visual and sonic wonder, but a weak libretto dampens its effect.
Ana María Martínez
32 pieces since 2012 — in 24 roles, at 12 companies, most often at LA Opera.
32
pieces
24
roles
12
companies
15
years
By role
Cio-Cio-San 2
Despina 2
Fiordiligi; Donna Elvira; Countess Almaviva 1
Violetta 1
Tosca 1
Tatiana 1
Soleá 1
Paolina 1
Nedda 1
Mimi 1
Manon Lescaut 1
La Catrina 1
Florencia Grimaldi 1
Florencia 1
Amelia 1
Elisabetta di Valois 1
Elisabetta 1
Donna Elvira 1
Countess Almaviva 1
Cio-Cio San 1
Catrina 1
Carmen 1
Butterfly 1
Amelia Grimaldi 1
3 pieces as Lyric Opera of Chicago — stats above show all coverage for Ana María Martínez.
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The river of dreams
The opera utilizes the idea of “magical realism,” telling a realistic story combined with elements of magic and fantasy.
Les feuilles mortes
Lyric Opera of Chicago concluded its 2016-17 season with a spellbinding and wonderfully sung production of Tchaikovsky’s familiar Eugene Onegin.
Win a Free Ticket to Opening Night at the Met!
Quinn Kelsey and Lise Davidsen star in the Met's new Macbeth. We're giving away one ticket, so screw your courage to the sticking place and enter now!
I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
