Amanda Majeski
9 pieces since 2014 — in 7 roles, at 5 companies, most often at Metropolitan Opera.
Role Countess
Role Countess Almaviva
Ten thousand bedrooms
The Metropolitan Opera desperately needed a new production of Le nozze di Figaro.
Role Donna Elvira
Give me libertine
Ryan McKinny’s Don is subtler, slyer, smoother, with a sharp wit and sense of dark humor that gives added dimension to the role.
Darkness on the edge of town
Lyric Opera of Chicago’as Don Giovanni lands smack dab in the middle of our current debate about wanted or unwanted sexual advances and outright sexual abuse.
Role Fiordiligi
The help
As Despina in the Metropolitan Opera’s new production of Così fan tutte, Kelli O’Hara injects much needed vitality into an otherwise lethargic evening.
Role Halka
And the villain still pursued her
Bard College presented a semi-staged concert of Halka on Saturday evening as part of its impressively wide-ranging two-week “Chopin and his World” festival.
Role Katya
Katya, later
Leos Janácek’s rise to international prominence as a Titan of music was dovetailed by a cluster of profoundly original operas that were written during his extraordinary autumnal years.
Role Marschallin
Sweetness and light
This was a Rosenkavalier that aspired to excellence and almost achieved it.