Recent Stories
A member of the cher public who attended last night’s premiere of Verdi’s Macbeth at the Opéra national de Paris filed this report: It was Paris Opera GM Gerard Mortier‘s penultimate opportunity – his term ends in July –  to moon opening night Parisian audiences and he did just that. He flew in bad-boy director…
Liza’s main man Paulo Szot has some interesting and rather bold (if La Cieca may say so) opinions about the character of Leporello in today’s New York Times: “Don Giovanni needs him for everything: butt sex, to give him food, to give him drink, to share his feelings with.” (The article, fetchingly entitled “The Great…
[kml_flashembed movie=”http://www.youtube.com/v/QTcYgDCCcy0″ width=”425″ height=”350″ wmode=”transparent” /]
In what might be the scariest Friday news dump ever, the New York Times calls a job action by AGMA against the New York City Opera “likely.” [NYT]
First there was Florence Foster Jenkins, and in her wake followed Vassilka Petrova and Sylvia Sawyer. Then came Olive Middleton, and hot upon her sling-back heels Mari Lyn. And then, it seems, the line of high-caliber singing ladies dwindled… until, of course, the recent advent of Angel Taormina. In fact, La Cieca has unearthed the…
Per the Met’s press office, Erin Wall will make her house debut Met debut as Donna Anna in Don Giovanni and will also sing the remaining performances of the season through the 24th. Wall replaces Barbara Frittoli, who will sing Donna Elvira instead, replacing Soile Isokoski, “who has withdrawn from the four performances due to…
Emily Magee plays Tosca (in a Robert Carsen production in Zurich); Zarah Leander lives for art.
This vastly superior caption replaces La Cieca’s original, “Rebecca Glasscock back on the pipe?” [Danielle de Niese in Acis e and Galatea at The Royal Opera, photo by Bill Cooper.]
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Lux aeterna luceat eis
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag
Kathryn the great
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Grand Tier Grab Bag
Count your blessings
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
One man’s Junker
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Yes, La Cieca realizes it was all hashed out a week ago here in the blogosphere, but Daniel J. Wakin of the New York Times has finally got around to transcribing the New York City Opera’s press release about its new season. As you all know, the season opener will be Esther, starring Lauren Flanigan.…
As Peg, the boozy, washed-up screenwriter (Kathleen Turner) in Charles Busch‘s play The Third Story explains, I told you the third story is often the best. The first is the genesis of an idea, but usually completely off the track. The second is when you go overboard with flights of imagination. The third story is…
La Cieca is delighted to announce that you, cher public, have broken yet another record! During the month of March you viewed parterre.com a total of 352,139 times. That’s the highest monthly number of pageviews ever for this site. Just to give you some sense of proportion, that number is more than the population of…
Which opera company may find itself the target of criticism since they are requiring singers to fly to New York to audition for their new stage “director” — a big name who has never directed anything more complicated than a runway show?
The Met’s season premiere of L’elisir d’amore, starring Angela Gheorghiu and Massimo Giordano, is tonight’s topic of discussion. Listen at 8:00 pm on Sirius or RealNetworks and chat, chat, chat!
In the bodice-ripping tradition of HBOShowtime’s The Tudors, DG presents I Capuleti e i Montecchi. Or does La Cieca just think everyone looks like Jonathan Rhys Meyers?
Latest to join the ranks of classical music bloggers: intrepid Anne Midgette, whose Classical Beat offically launched today. Coverage includes la Midgette’s recent head-butt with Norman Lebrecht on the subject of the Wizard of Bayreuth.
At last we know the identity of the eponymous heroine of Rufus Wainwright‘s maiden effort as opera composer. The aging Prima Donna who is strugging “to regain her status as a top-flight soprano on the world stages” s’appelle Régine Saint Laurent. If ever a name screamed, “cover girl, put the bass in your walk,” surely…
Talk of the Town
The Talk of the Town
Lina Bruna Rasa should have made it to the Met
Lina Bruna Rasa should have made it to the Met
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
In the case of Lina Bruna Rasa, the reasons why she never sang at the Met are painfully clear.
The Talk of the Town
Conchita Supervia should have made it to the Met
Conchita Supervia should have made it to the Met
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
For vibrato fanciers, of course, discovering Supervia is like hitting the mother lode.
The Talk of the Town
Gertrud Grob-Prandl should have made it to the Met
Gertrud Grob-Prandl should have made it to the Met
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
Yes, the Met had Birgit Nilsson – so they let the volcano that was Gertrude Grob-Prandl‘s voice slip through their fingers.
The Talk of the Town
Eglise Gutierrez should have made it to the Met
Eglise Gutierrez should have made it to the Met
So much color in this beautifully agile voice.
So much color in this beautifully agile voice.
The Talk of the Town
Mado Robin should have made it to the Met
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
The Talk of the Town
Maria Kanyova should make it to the Met
Maria Kanyova should make it to the Met
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
Since we in New York are not going to hear Rolando Villazon until (at the earliest) April 8, La Cieca thought it would be interesting to share a recent document of his singing. Here’s a scene from Act 3 of Werther, as sung in Paris earlier this month. [kml_flashembed movie=”http://www.youtube.com/v/1EpdcOzw8o4″ width=”425″ height=”350″ wmode=”transparent” /] (Thanks,…
Mrs. John Claggart saw through the balloonery of our most recent Regie quiz, correctly identifying not only the opera Werther but each scene depicted. So, cher public, let’s see how you do with this week’s conundrum.
Many of you (well, a few of you) have expressed an interest in La Cieca’s working process as a journalist. As such, your doyenne thought she would share with you dear people some rare documentary footage of La Cieca’s early days reporting and writing opera gossip. Or, in other words: this, cher public, is how…
Werther with Rolando Villazon and Susan Graham continues on France Musique. (Broadcast began at 3:00 pm EDT.) Concert donné le 28 février 2009 à l’Opéra Bastille à Paris, en simultané avec l’Union européenne de radios. Rolando Villazon : Werther, poète; Ludovic Tézier : Albert, jeune homme; Alain Vernhes : Le Magistrat; Christian Jean : Schmidt,…
For the first time in, well, quite a while really, La Cieca reminds the cher public that your donations help support the various goings-on here at parterre.com. Won’t you take a moment to click on the PayPal link below? We now return you to our unscheduled programming.
And people say that in olden days singers used more chest! Ha, says La Cieca. Ha!
Sempiternal Magda Olivero celebrated her 99th birthday earlier this week.
La Cieca never knows quite how far to go in repeating what she “is told,” but since some of it seems to be leaking out anyway, well, she’ll try to be tactful. Apparently sometimes opera companies choose to use terminology like “laryngitis” and “knee injury” in order to avoid having to say “exhibited bizarre behavior…
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