Recent Stories
Emily Magee plays Tosca (in a Robert Carsen production in Zurich); Zarah Leander lives for art.
This vastly superior caption replaces La Cieca’s original, “Rebecca Glasscock back on the pipe?” [Danielle de Niese in Acis e and Galatea at The Royal Opera, photo by Bill Cooper.]
Yes, La Cieca realizes it was all hashed out a week ago here in the blogosphere, but Daniel J. Wakin of the New York Times has finally got around to transcribing the New York City Opera’s press release about its new season. As you all know, the season opener will be Esther, starring Lauren Flanigan.…
As Peg, the boozy, washed-up screenwriter (Kathleen Turner) in Charles Busch‘s play The Third Story explains, I told you the third story is often the best. The first is the genesis of an idea, but usually completely off the track. The second is when you go overboard with flights of imagination. The third story is…
La Cieca is delighted to announce that you, cher public, have broken yet another record! During the month of March you viewed parterre.com a total of 352,139 times. That’s the highest monthly number of pageviews ever for this site. Just to give you some sense of proportion, that number is more than the population of…
Which opera company may find itself the target of criticism since they are requiring singers to fly to New York to audition for their new stage “director” — a big name who has never directed anything more complicated than a runway show?
The Met’s season premiere of L’elisir d’amore, starring Angela Gheorghiu and Massimo Giordano, is tonight’s topic of discussion. Listen at 8:00 pm on Sirius or RealNetworks and chat, chat, chat!
In the bodice-ripping tradition of HBOShowtime’s The Tudors, DG presents I Capuleti e i Montecchi. Or does La Cieca just think everyone looks like Jonathan Rhys Meyers?
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Kathryn the great
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Grand Tier Grab Bag
Count your blessings
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
One man’s Junker
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Latest to join the ranks of classical music bloggers: intrepid Anne Midgette, whose Classical Beat offically launched today. Coverage includes la Midgette’s recent head-butt with Norman Lebrecht on the subject of the Wizard of Bayreuth.
At last we know the identity of the eponymous heroine of Rufus Wainwright‘s maiden effort as opera composer. The aging Prima Donna who is strugging “to regain her status as a top-flight soprano on the world stages” s’appelle Régine Saint Laurent. If ever a name screamed, “cover girl, put the bass in your walk,” surely…
Since we in New York are not going to hear Rolando Villazon until (at the earliest) April 8, La Cieca thought it would be interesting to share a recent document of his singing. Here’s a scene from Act 3 of Werther, as sung in Paris earlier this month. [kml_flashembed movie=”http://www.youtube.com/v/1EpdcOzw8o4″ width=”425″ height=”350″ wmode=”transparent” /] (Thanks,…
Mrs. John Claggart saw through the balloonery of our most recent Regie quiz, correctly identifying not only the opera Werther but each scene depicted. So, cher public, let’s see how you do with this week’s conundrum.
Many of you (well, a few of you) have expressed an interest in La Cieca’s working process as a journalist. As such, your doyenne thought she would share with you dear people some rare documentary footage of La Cieca’s early days reporting and writing opera gossip. Or, in other words: this, cher public, is how…
Werther with Rolando Villazon and Susan Graham continues on France Musique. (Broadcast began at 3:00 pm EDT.) Concert donné le 28 février 2009 à l’Opéra Bastille à Paris, en simultané avec l’Union européenne de radios. Rolando Villazon : Werther, poète; Ludovic Tézier : Albert, jeune homme; Alain Vernhes : Le Magistrat; Christian Jean : Schmidt,…
For the first time in, well, quite a while really, La Cieca reminds the cher public that your donations help support the various goings-on here at parterre.com. Won’t you take a moment to click on the PayPal link below? We now return you to our unscheduled programming.
And people say that in olden days singers used more chest! Ha, says La Cieca. Ha!
Talk of the Town
The Talk of the Town
Eglise Gutierrez should have made it to the Met
Eglise Gutierrez should have made it to the Met
So much color in this beautifully agile voice.
So much color in this beautifully agile voice.
The Talk of the Town
Mado Robin should have made it to the Met
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
The Talk of the Town
Maria Kanyova should make it to the Met
Maria Kanyova should make it to the Met
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
The Talk of the Town
Barbara Hannigan should make it to the Met
Barbara Hannigan should make it to the Met
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
The Talk of the Town
Robert Rounseville should have made it to the Met
Robert Rounseville should have made it to the Met
From one Mister Snow to another, I salute him.
From one Mister Snow to another, I salute him.
The Talk of the Town
Denise Duval should have made it to the Met
Denise Duval should have made it to the Met
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
Sempiternal Magda Olivero celebrated her 99th birthday earlier this week.
La Cieca never knows quite how far to go in repeating what she “is told,” but since some of it seems to be leaking out anyway, well, she’ll try to be tactful. Apparently sometimes opera companies choose to use terminology like “laryngitis” and “knee injury” in order to avoid having to say “exhibited bizarre behavior…
La Cieca really, really doesn’t like to say this, but the truth seems to be staring us in the face, so here goes. We have seen the last of Rolando Villazón at the Met. Even though he’s announced as having canceled only the first two performances of Elisir, it’s pretty clear that he’s just not…
UPDATED YET ONCE MORE (March 26 at 5:00 pm): Per the Met’s press office, “Massimo Giordano will sing the role of Nemorino in L’Elisir d’Amore on March 31 and April 4 matinee, replacing Rolando Villazón, who is suffering from laryngitis.” UPDATED AGAIN (March 26 at 3:55 pm): Iréne Theorin will sing the first two matinees…
“Salvatore, viens, j’ai trouvé une étoile!” [kml_flashembed movie=”http://www.youtube.com/v/5xXf8mh81dg” width=”425″ height=”350″ wmode=”transparent” /] Wenarto, watch your back!
La Cieca realizes she hasn’t devised a contest for you competitive members of the cher public in, oh, ages. So she’s going to direct you to the Omniscient Mussel blog, where the game is to offer an opera plot synopsis via Twitter.
La Cieca hears that the New York City Opera will present four five productions during their 2009-2010 season, including a new staging of Don Giovanni directed by David Christopher Alden and starring Daniel Okulitch (pictured). Revivals of “old” NYCO productions at The David H. Koch Theater include Weisgall’s Esther (with Lauren Flanigan), L’etoile, Partenope and…
A source close to the Met whispers to La Cieca that Rolando Villazon “will cancel” the first performance of L’elisir d’amore at the house on March 31. This, La Cieca should mention, is based on an overheard conversation between Sarah Billinghurst and Angela Gheorghiu.
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.