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I have to confess that I overheard that line during the intermission of the Met’s new production of Amboise Thomas’s seldom-performed Hamlet based on Shakespeare’s oft-performed play. I couldn’t have said it better myself.
The cher public are invited to suggest captions for this less than flattering photo by Sara Krulwich, which appeared originally in the New York Times.
“After all that, it would be gratifying to declare Petersen’s debut a ‘star is born’ moment. But… she was pretty much a nonstarter, her Ophélie hovering on the cusp of inaudibility in midrange and shrill on the highest notes.” [NYP]
David Gockley has accepted Elina Garanca‘s withdrawal for “personal reasons” from San Francisco after discovering a “series of European concerts has been recently announced on Ms. Garanca’s website during the Werther performance schedule.” [La Cieca earlier reported this story as Gockley’s giving “the boot” to Garanca, which was not accurate.]
The wait is over, cher public, and your doyenne’s blue-ribbon panel has selected the perkiest procrastinator of the pack, jatm2063 for his account of a delayed encounter with Sylvia Sass. Congratulations, jatm!
Serious “opera singer” Katherine Jenkins says her greatest wish is to sing Carmen or Cherubino at La Scala.
La Cieca (not pictured) has been asked to spread the word that the Opera-L list is down due to the power outages in New Jersey where it is hosted. The latest information is that it is hoped to be up sometime Wednesday. UPDATE: Opera-L is now operational again.
La Cieca is delighted to begin a new series on parterre.com dedicated to the fretting, brooding and dithering of the Wazier of the Worriers, Anthony Tommasini. Our first examples (of many) follow the jump.
Grand Tier Grab Bag
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Many happy returns to Antonietta Stella, who turned 81 today!
Although she has made headlines on this side of the Atlantic largely because of her recent dismissal by Franco Zeffirelli from a Roman production of La traviata on the grounds of “physical inadequacy,” Daniela Dessì is a topflight star in Europe. In her native Italy she is arguably the most popular soprano currently active. Over…
La Cieca has decided she is going insert the the following line into her official biography (names and pronouns varied as necessary):
Today’s Met broadcast is The Nose. Our habitual chat begins at 12:30 pm, and the details are after the jump.
… as the saying goes. A German opera singer is accused of murdering her husband Hermann, then hiring a body double to sign over to her his properties, stocks, bonds, cash and life insurance policy. [The Telegraph]
She without whom La Cieca would not cast a shadow, Renée Fleming, has a newly revamped website!
Per the Met’s press office, “Jane Archibald will make her Met debut as Ophélie in the Met’s new production of Thomas’s Hamlet, singing the role on April 5 and 9.”
La Cieca would like to give the cher public a little nudge in the way of a reminder that the procrastination competition will be closed at midnight tonight. So what are you waiting for? (Remember, only comments to the original posting will be considered!)
Talk of the Town
Yannick Nézet-Séguin is a great opera conductor
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
As La Cieca indicated previously, Francesca Zambello (center) is going to add the notch of General and Artistic Director of Glimmerglass Opera to her already bulging belt. [NYT]
La Cieca is informed that tomorrow’s final dress rehearsal of Hamlet is as closed as closed can be: covers, Met staff and a few handpicked guests of Peter Gelb are the only humans to be allowed in the auditorium as the Thomas is teched. It’s natural enough, since — as we all know — the…
Bravo Monsieur (or Madame) 79CXR for your guess in the most recent Regie quiz. The work depicted is indeed Béatrice et Benedict, in a production for the Opéra Comique directed by Dan Jemmett. The staging, La Cieca regrets to say, was not taken in with pleasure; critiques are headlined everything from “The enterprise overall does…
Forget all the others. You need to read this review of The Nose. [New York Observer]
If you feel like discussing the Sirius broadcast of Antony and Cleopatra, here’s the place.
New York City Opera has announced its 2010-2011 season, and it looks like La Cieca’s precognitions were about 90% correct. (Please, hold your applause.)
Our Own CruzSF has devised a delightful new pastime, which consists of posing in a parterre box t-shirt “in front of the great and not-so-great opera houses of the world.” First up: the Napa Valley Opera House. That’s after the jump.
La Cieca just received an email from Samuel Ramey confirming, “Yes, the comment is from me. Had no idea it would cause such a discussion.” (Photo: Ken Howard, Metropolitan Opera)
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