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1817 was a fertile and diverse time for 26 year old Gioachino Rossini. It opened with his last true opera buffa, La Cenerentola, continued with his most important semiseria, La gazza ladra, and ended with two operas, which, although both nominally belonging to the seria genre, could not be more different from each other.
La Cieca will not be near a keyboard (or for that matter a theoboro) this evening, but please don’t let that stop you, cher public, from chatting during the Metropolitan Opera premiere of Rossini’s Armida, starring Renée Fleming (not pictured).
Armida in just three hours, and, ironically (given the dramatic weight of this bel canto role) a certain soprano just can’t stop twittering!
UPDATE: La Cieca’s spy reports: He’s here!
The diva is 77 today!
It’s official: James Levine has withdrawn from Cincinnati Opera‘s 90th Anniversary Gala Concert (June 19) and the season-opening production of Die Meistersinger von Nürnberg (June 23 & 26). John Keenan takes up the Wagner duties and a roster of guest conductors fill in at the gala.
Far over on the Upper West Side of Manhattan exists an amazing marvel of the cosmos… the Metropolitan Opera. It is where the opera Tosca is being “prepared” for performance only few days from now.
Well, you know, sometimes it’s not easy being a benefactress. Would you believe that both winners and the runner-up in yesterday’s Zauberflöte contest all live in Nova Scotia and Irkutsk and places like that and so are not able to accept the tickets to Inner Voices playing here in the city. So, round two, after…
Grand Tier Grab Bag
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
The good news: whatever Natalie Dessay‘s “illness” was, she didn’t permanently lose her voice. The bad news: she can still talk.
Getting the “screaming heads” treatment on CNBC is not good news for Peter Gelb.
“The halls of CAMI are not a happy place right now,” an insider informs La Cieca, and according to information received by parterre.com more than half a dozen long-time Columbia Artists Management personnel have not had their contracts renewed in recent weeks.
La Cieca (not pictured) welcomes her cher public to a second week in good old Egypt with this afternoon’s broadcast of Die Zauberflöte. She is delighted to announce that during this afternoon’s chat she will give away tickets to the fascinating new musical theater program Inner Voices which includes that mini-opera Whida Peru: Resurrection Tangle that Valmont…
Which tenor may have bought it — so far as the management is concerned at that theater where they’re still waiting for him to arrive for his first (and last) rehearsal? Just in case, a familiar figure is already heading across the river.
Our Own Gualtier Maldè (right) escaped today’s Armida dress rehearsal at the Met with his wits intact. He reports:
I have to admit, I am not one often seen on the Great White Way; musicals aren’t usually my cup of tea. So as I was charged with reviewing a new musical, Whida Peru: Resurrection Tangle last night at 59E59 Theaters, I decided to call in reinforcements. I brought an amazingly talented and breathtakingly beautiful…
Packaged with a peek-a-boo cover exposing only Bryn Terfel’s lovely left eye (the effect of turning the page to reveal the Welsh bass-baritone’s head in its entirety brings to mind this Encyclopedia Dramatica entry) and an oddly hip-hop-flavored gray-on-black treatment of the album’s title, Terfel’s Bad Boys seems designed for those who like their divos…
Talk of the Town
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
Which lady’s silence about her pregnancy will definitely derange her 2010-2011 schedule?
I own almost every recording of the 13 operettas Sir Arthur Sullivan wrote with W.S. Gilbert ever made. Twelve Mikados, 14 Pirates of Penzance, 10 Iolanthes, right on down the line to the rarely heard Utopia, Ltd. I was a G&S fan long before I got into opera; when I was a teenager, their operettas…
Today, in 1848, one of the titans of Italian opera, Gaetano Donizetti, passed away in his native Bergamo at age 51. It would be perhaps more appropriate to say that his body died on this date, as his mind, ravaged by syphilis, had already abandoned him a few years earlier, so much that he had…
See those little blue circles? Do you know what they represent? The answer is after the jump.
UPDATE: The Traviata chat is beginning in preparation for the 8:00 start time of tonight’s performance.
This Greek mezzo-soprano, born 1944 [!] is seen at a concert last month [!!!]. For this kind of quality work, we all need to start saving our money, cher public.
La Cieca presents an open letter from a parterre box reader.
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