Recent Stories
A performance from Théâtre des Champs-Elysées recorded earlier this month
Born on this day in 1906, film, stage and opera director and designer Luchino Visconti
Nigel Wilkinson reviews Kris Defoort‘s kaleidoscopic, unsettling new opera in Brussels.
The Richard Tucker Foundation Gala has always been a big annual celebration of the voice with an emphasis on big-voiced singers in big repertoire (not much Wagner usually, though…). Like so many reliable operatic institutions it has struggled for survival after the pandemic.
Lise Davidsen takes her first sip of Liebestrank in a live broadcast from Munich
Born on this day in 1923 soprano Victoria de los Angeles
Aside from a tour with the LSO this spring, this was, I believe, the only time Antonio Pappano would be conducting in the US this season. This made the concert at Symphony Hall a real treat.
Grand Tier Grab Bag
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
León in winter
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
Assai più vale il soglio
che un genitor perduto
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Parterre Box highlights a busy few months of Verdi performances for Marina Rebeka and Ludovic Tézier with an exciting sample of their debuts in Nabucco.
Happy was I to attend the Celebrity Opera Series presentation Saturday night at BroadStage, mere blocks from my humble abode in Santa Monica as Anglela Gheorghiu was making an eagerly awaited return for the first time since her debut here in 2013.
Happy Halloween, Parterrians!
Once again inspired by Harry’s verismo tract, Chris’s Cache unleashes a La Wally avalanche of complete performances of Alfredo Catalani’s opera featuring Renata Tebaldi, Magda Olivero, Carol Neblett, Stefka Evstatieva, and Eva-Maria Westbroek in the title role.
Stephen Schwartz‘s Wicked premiered on this day in 2003
A live broadcast from New York
If Zambello’s season-ending Turandot last year represented some of the best of what WNO can offer in the standard rep, this Fidelio was a regression to the mean.
Lisette Oropesa, a product of the Metropolitan Opera Lindemann Young Artist Program, has not been seen much on the stage of the Met in recent seasons.
On this day in 1956 La Divina made her Met debut as Norma
Talk of the Town
A favorite bass performance from Eli Jacobson
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
This bass aria “Sous les pieds d’une femme” from Gounod’s La Reine du Saba used to be a concert favorite
A favorite bass performance from La Grunowa
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
Tancredi Pasero is so noble in mien and rich-voiced here, a perfect complement to Caniglia’s earthy Leonora who honestly charts the movement from despair to fervent, transcendent faith in this duet.
A favorite bass performance from Cornelia
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
A favorite bass performance from Bere Wendriner
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
A favorite bass performance from Ivy Lin
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
Not much to say here. Legendary bass Mark Reizen was born in the USSR and thus never got to tour much to the west.
A favorite bass performance from Krunoslav
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
Rare is the revival of Il trovatore that boasts five first-rate singers, and such an occasion should be treasured. And so, at the Met last Saturday, it was.
On this day in 1961 tenor Sandor Konya made his Met debut as Lohengrin. Ingrid Bjoner debuts as Elsa.
The premiere of a new Ring Cycle live from Munich
On this day in 1958 Met opening night Tosca with Tebaldi, Mario del Monaco, and George London.
A free livestream from Dallas Opera
Puccini‘s adaptation closes out the Teatro Regio’s Manon-Manon-Manon project with a live broadcast from Turin
On this day in 1959 mezzo-soprano Giulietta Simionato made her Metropolitan Opera debut as Azucena
As for complete recordings of Il trovatore, which was discussed at some length last week, there are at least 200 of them, both studio and live.