Recent Stories
La Cieca has just heard some interesting and completely plausible gossip about 2013-14.
A live webcast of Ariadne auf Naxos (starring Our Own Renée Fleming) will be transmitted from the Festspielhaus Baden-Baden Saturday afternoon starting at 2:15 PM ET.
Opera Orchestra of New York just announced that it has cancelled the March 7 opera-in-concert presentation of Verdi’s Simon Boccanegra.
The Met’s top-secret hush-hush season announcement will emerge from the Holy Grail shrine later today.
Maestro Wenarto achieves video number 1,500 with this opéra comique take on the immortal “Habanera” from Carmen.
La Cieca (pictured, left) celebrated her birthday early this year when she unexpectedly received the perfect gift—the following press release.
Heavens, what with breakdown of the site a couple weeks ago, the Regie quiz has been forgotten for all too long!
“Rufus Wainwright Talks Opera Prima Donna and Why the Genre’s ‘Not for Sissies'”
Grand Tier Grab Bag
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
La Cieca thinks it would be fun for the cher public to play George Steel (or, given the difficulty of the task, Superman) and devise an upcoming season for NYCO.
Still going strong after (approximately) 1,500 YouTube appearances, Our Own Maestro Wenarto celebrates the anniversary of his birth today.
“With Anjelica Huston, Parker Posey and Yoko Ono dotting the crowd at BAM Sunday afternoon, the New York City Opera’s premiere of Prima Donna offered more diva presence offstage than on.”
On Saturday I attended the premiere performance of a new production of Ariadne auf Naxos at the Festspielhaus in Baden-Baden, Germany. It was Renée Fleming’s debut in the title role…
“Ich zeige dem Publikum, was sie sehen sollen, und nicht, was sie sehen wollen, schließlich sind Oper und Theater kein Dienstleistungsgewerbe.”
It’s Sunday, and that means it’s time for your weekly intermission feature, a chance to discuss off-topic and general interest subjects.
This 2010 DVD of Brecht and Weill’s Rise and Fall of the City of Mahagonny from Madrid assumes pride of place among the available video versions of the opera.
The weekly Saturday afternoon chat continues today, cher public.
Talk of the Town
A favorite Verdi performance from Darby Fegan
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
Anna Tomowa-Sintow, “Ernani Involami,” from the MET Centenial Gala, 1983.
A favorite Verdi performance from CKurwenal
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
Like probably all of us, there are so many different things I could have submitted for a favorite Verdi performance.
A favorite Verdi performance from La Grunowa
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
I realize Igor Gorin did not sing much Verdi except for a few Papa Germonts, yet this performance of the famous baritone aria from Attila I claim is well-night perfect singing.
A favorite Verdi performance from Ryan Ellerman
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
Luminous Lucia Popp’s “Caro Nome” beams with Gilda’s youthful passion, displaying Popp’s signature bright, beautiful timbre and magnificent coloratura.
A favorite Verdi performance from Marina Rebeka
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
While studying Un ballo in maschera for my Vienna role debut next January, I came across this beautiful ‘Ecco l’orrido campo’ amazingly performed by Montserrat Caballé.
“Thomas Hampson to Sing at Groundbreaking Ceremony for Smithsonian’s National Museum of African American History and Culture on Feb 22; President Barack Obama Will Deliver Remarks”
Mariella Devia will augment her already vast bel canto repertoire next year with the role of roles: Bellini’s Norma.
La Cieca is starting a new series of Words Critics Need to Stop Using.
The guest soloist at the the Wiener Opernball was just introduced as “Rumäniens Antwort auf Anna Netrebko, Angela Gheorghiu.”
The comprimario tenor, veteran of 2,928 performances at the Met, died earlier today. He was 82.
“This is the highest number of performances for a conductor in a single week in Met history.”
“New York City Opera performed La Traviata at BAM Sunday afternoon. That’s who, what, where and when. But this was a performance without a ‘why’.”
Will robots replace prompters? Will random number generators replace stage directors?
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