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La Cieca (pictured) would like to remind those members of the cher public with last-minute gift shopping needs that purchases from the Little Shop of Arias completed today (Friday) can still reach the recipient by December 24.
La Cieca (pictured) would like to remind those members of the cher public with last-minute gift shopping needs that purchases from the Little Shop of Arias completed today (Friday) can still reach the recipient by December 24.
“Somehow with opera, just as with theatre, it turns out that the monster’s head still hasn’t been cut off. Or else, like any monster worthy of the name, it keeps finding ways to rise from the grave.” Occasional friend of the box Joseph Cermatori offers an obituary of sorts for opera in New York in […]
“La Scala has canceled the inaugural ballet of its season because of a strike by the chorus.”
The Trojan Horse seemed like a great idea—that is, until it led to disaster.
Which heaven-sent young artist is about to make a late Christmas present of his talents to an opera house that now (uselessly, no doubt) regrets not casting him in the first place?
While male half of a famous operatic couple has now become involved with a “chick” with whom he recently co-starred?
La Cieca invites all of you to spend this intermission in a constructive way: not rioting for Italian independence, but discussing off-topic and general interest subjects, as people do.
Love grand opera but wary of a six o’clock curtain with five hours of music behind it? (And nothing is grander than Berlioz’s Les Troyens, eh?) Your dilemma has been solved. Show up at the Met at 7:30 or 8:00, whenever they have the first intermission.
Perhaps La Cieca did not quite play fair with you on the most recent Regie quiz, cher public.
You can see the logic of it: The Juilliard School wants to show off its opera program, the Ellen and James S. Marcus Institute for Vocal Arts, which is (on the evidence) brim-full of talent.
Turn of the Screw is an incredibly frightening ghost story really at the heart of it but with a very modern edge.
Of particular visual interest in last weekend’s Lohengrin (though not perhaps so tantalizing as Jonas Kaufmann‘s aristocratic bare feet, pictured above) is the very obvious change in the staging that was made between the antegenerale (in which Anja Harteros sang Elsa) and the telecast opening night.
The soprano and political dissident of the postwar Soviet Union died yesterday in Moscow. She was 86.
The elegant Swiss-born soprano has died at 93.
Cecilia Bartoli and Joyce DiDonato are not the only ladies who have recorded recitals this year featuring music from the 17th and 18th centuries.
Soprano Kristin Lewis will sing the role of Maddalena in Opera Orchestra of New York’s presentation of Andrea Chenier on January 6.
Natalie Dessay coyly bares a breast on the cover of Virgin Classics’ new Giulio Cesare.
“French mezzo-soprano Géraldine Chauvet will make her Met debut as Sesto in this evening’s performance of Mozart’s La Clemenza di Tito, replacing Elina Garanca, who is ill.”
Actually, Lohengrin at La Scala wasn’t all that bad, so the reports go.
But do chat this afternoon, cher public, during the season opener of the Metropolitan Opera’s 2012-2013 Saturday matinee broadcasts.
Putting in a little face time (and what faces!) at Charles Castronovo‘s cabaret at 54 Below last night were barihunk trifecta Erwin Schrott, Dmitri Hvorostovsky and Ildar Abdrazakov.
“The courtesan’s entourage included dancing girls in filmy harem pants and bedazzled Afro wigs, and the hunky chorus boys pranced about in velour leggings, codpieces and nipple ornaments.”
Before there was a Stefan Herheim Boheme (which I reviewed a couple of weeks back for this site), there was a Herheim Eugene Onegin, recorded in June 2011 at De Nederlanse Opera.
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