Recent Stories
Like New Yorkers, opera tends to flee the city in summer.
Here’s looking forward to an exciting, celebrity-filled intermission as you, the cher public, discuss off-topic and general interest subjects.
Our Own Betsy yelps, “Stop the presses! We interrupt this program to bring you this special bulletin!”
Karol Szymanowski’s 1926 King Roger was the sleeper hit of SFO’s season, not so much for its weird, mystical theme and feeble libretto but because the music is powerfully effective.
Those adorable kids over at EMI Classics have followed up the ridiculous with the sublime: an mp3 download of 50 arias (over four hours of music) sung by Maria Callas for… are you ready? 99 cents.
You Parterrestrials know all about Santa Fe Opera’s amazing mountain setting and open-sided theater affording breathtaking sunsets, weather-related drama and–when the back stage wall is opened–starry backdrops, but it was my first visit, so indulge me a little.
Which new production was reportedly such a “disaster” during early technical rehearsals that management seriously considered substituting the company’s older staging of the work?
“F. Paul Driscoll, editor of Opera News [not pictured], is optimistic.”
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Among conductors on the roster whom Luisi personally invited to be part of his first Zurich season are…
Beethoven expressed it best when he reportedly threw Rossini shade: “Any other other style than opera buffa would do violence to your nature.”
Much guesswork, most of it terribly astute, went into our most recent vocal ID quiz, and La Cieca is now ready to reveal the most accurate of a very accurate bunch.
An early start for the Sunday chat, cher public.
With the Met’s single tickets for the 2012-13 season going on sale Sunday morning, it’s surely about time we, the movers and shakers and parterrians, made our customary ukase on which of the company’s attractions are worth seeing this year and which, not so much.
“The article also referred imprecisely to offerings in the Lyric Opera of Chicago’s 2012-13 season.”
So, take a look after the jump and tell La Cieca the two things that are wrong (they’re related) about the cover of the Met’s new Ring DVD/Blu-ray.
Based on reliable reports about reshuffling of the Met’s repertoire for the 2013-14 season, the only reasonable conclusion is that James Levine will never return to conduct with the company.
Talk of the Town
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Leyla Gencer should have made it to the Met
Leyla Gencer had a long European career but never sang at the Met.
Leyla Gencer had a long European career but never sang at the Met.
La Cieca has put her little grey cells to work and deduced that Opera Orchestra of New York will present two performances next season…
Unlike Mozart, the young Gioacchino Rossini seldom let his ambitions strain relations with employers.
The Met’s controversial Ring cycle, directed by Robert Lepage (not pictured) and conducted by TBA (possibly pictured) makes its home video debut on September 11.
EMI Classics will release Fifty Shades of Grey – The Classical Album…
Has it been a year already? Apparently so.
We approach, beloveds, as unto a shrine, for these are no ordinary performances.
“Taking the libretto’s description of ‘panther-like’ literally, Bacchus appears in a shiny leopard-print suit…”
Live webcast from Salzburg, right now: the 1912 Ariadne/Le bourgeois gentilhomme.
Get our free newsletter
Opera's top reads delivered to your email weekly…ish.
Join over 100k readers.
The best opera magazine on the web.
Reviews, breaking news, critical essays, and brainrot commentary on opera from those demented enough to love it.
Essentials
Copyright © 2026 Parterre Box.
All rights reserved.
Registration or use of this site constitutes acceptance of our Terms & Conditions and our Privacy Policy.
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.