Recent Stories
La Cieca’s operative deep in the bowels of the Josie Robertson Plaza has just informed her that the announcement of the Met’s 2014-2015 season is now less than two weeks away.
Well, “extreme” is such an, oh, how shall I put it… extreme word, my dears; really La Cieca is no more than the humble intermediary here between Mike Richter‘s CD-ROMs and you, the cher public. This time our treat from the trove is Eugene Onegin, a selection from his disc devoted to the Metropolitan Opera…
So, cher public, have you heard about this fabulous new plan to revive the New York City Opera under the direction of Michael Capasso?
“The cast, to a member, embraces every chance…”
peaking of vicious-minded small town gossips, Rupert Christiansen (not pictured) is at his exercise again this morning, trying to tempt Dame Felicity Palmer into saying unpleasant things about David Alden and Richard Jones.
The very first words in this issue are “Renata Scotto will return to the American operatic stage in the 2001 season!”
Harmonious Sondra Radvanovsky and hormonal Justin Vivian Bond.
“Era of the ‘Fat Lady’ is Over, Says American Soprano Danielle de Niese“
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
“Revenue for performances in the [Metropolitan] opera house ended up at 69% of total potential box office revenue in the 2012?2013 season (79% of seats were purchased, including discounts).”
“Tune in to ABC… at 11:00 am EST, when Renée joins the ladies of The View and guest co-host Jay Mohr to talk about her upcoming performance of the National Anthem at the Super Bowl.”
“Such a costume! A dream in purple!”
A quick review of statistics for 2013 reveals your top ten favorite parterre pages for the year, cher public.
“The deep stirrings that open Brokeback Mountain, the opera, rise up from the bowels of the orchestra…. And those tones are gripping.”
“Carousel – New Production/Lyric Opera Premiere. Denyce Graves; remaining cast TBA. Rob Fisher/conductor, Rob Ashford/director; remaining creative team TBA.”
Our Own Jungfer Marianne Leitmetzerin offers a program in tribute to the late maestro Claudio Abbado.
While many performing arts organizations have been reducing their schedules or even closing, Opera Lafayette, a Washington DC-based group dedicated primarily to 17th and 18th century opera, has proven remarkably prosperous.
Talk of the Town
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Janet Baker should have made it to the Met
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
The divine Dame Janet Baker never sang at the Metropolitan, sadly for American audiences.
Dorothy Maynor should have made it to the Met
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
We had to wait for Marian Anderson to break the color barrier at the Met and many great Black opera singers never had a chance there.
Avoid the seasonal chill, cher public: there’s plenty of discussion of off-topic and general interest subject to keep you warm here at parterre box.
Has Los Angeles Opera mentioned lately that Billy Budd has an all-male cast?
The legend of the mermaid is ancient, and recently scientists have theorized that these legends might have arisen when humans encountered marine mammals such as whales, seals, or sea lions.
Wow, English National Opera sure is offering an amazing home-grown season this year… oh, wait.
La Cieca assumes, or at least hopes, such an encounter is currently taking place on some other plane. In slightly more mundane terms, though, Mike Richter did “meet” Claudio Abbado, though not in the context of his celebrated CD-ROM series.
Tenors Bryan Hymel (pictured) and Joseph Calleja redeem otherwise routine Puccini revivals at the Met, says Our Own JJ in the New York Observer.
Oddly enough, Eva Marton‘s interpretation of the Kostelnicka (pictured) goes unmentioned in Issue #38.
Our old friend Heather Mac Donald (not pictured) is back, ostensibly to mourn the loss of ‘Petrarchan intimacy with the past’ in the study of the humanities, but, reliably enough, she can’t help taking a swipe at Regietheater while she’s at it.
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