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On this day in 1933, Fred Astaire‘s first film, Dancing Lady, was released.
Almost exactly twenty years after her auspicious Metropolitan Opera debut as the Fiakermilli in Arabella and a year following what she has claims was her final appearance on the operatic stage, Natalie Dessay returned Sunday afternoon to Lincoln Center—to sing opera.
What would you do if I asked you to take a old, faded version of Puccini’s score for La Bohème and fill in the unreadable parts with a mélange of disco, kabarett, and Alban Berg?
La Cieca is sure that the cher public (pictured), just like all other red-blooded Americans or foreign nationals, will spend the day today doing their “Cyber Monday” shopping.
Jungfer Marianne Leitmetzerin notes: while this performance of Janácek’s Jenufafeatures the same three principal singers from the legendary Carnegie Hall concert of 1988, the fact that it is a staged performance raises the temperature even higher.
On this day in 1956, the musical Candide opened at the Martin Beck Theater for 73 performances.
The cher public are invited to lose control as they discuss off-topic and general interest subjects.
On this date in 1825, Il barbiere di Siviglia was performed at the Park Theatre.
Grand Tier Grab Bag
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Why would it be crazy for you to believe that recent rumor? Is it because the gentleman in question is already enjoying a happy preview of his next romantic relationship?
On this day in 1932 Groucho Marx performed on radio for the first time.
“Labor disputes are threatening to delay the broadcast of Renee Fleming’s first-ever holiday special, ‘Christmas in New York,’ ” a source close to the production tells Confidenti@l.
On this day in 1095 Pope Urban II declared the First Crusade at the Council of Clermont.
“Francesco Demuro and Michael Fabiano will sing the role of Rodolfo in the remaining 2014 performances of La Bohème.
Sooner or later, Our Own JJ gets around to discussing the Met’s Barbiere di Siviglia and Juilliard’s Turco in Italia in this week’s New York Observer.
On this day in 1476, Vlad the Impaler (Dracula) defeated Basarab Laiota with the help of Stephen the Great and Stephen V Báthory and became the ruler of Wallachia for the third time.
“NeNe wants to be Nay-Nay; Nay-Nay wants to be NeNe…”
Talk of the Town
Yannick Nézet-Séguin is a great opera conductor
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Sena Jurinac should have made it to the Met
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
Sena Jurinac, a celebrated Mozart and Strauss singer here as the Composer, a signature role.
“In case you missed it on Saturday, we took a look at early rehearsals for the new production of The Merry Widow, starring Renée Fleming and, in this clip, Kelli O’Hara!”
Heaven temporarily relocated to the Théâtre des Champs-Élysées Sunday evening for a concert performance of Rossini’s revered but rarely heard Semiramide.
On this day in 1915, Albert Einstein presented the field equations of general relativity to the Prussian Academy of Sciences.
“Italian tenor Francesco Demuro will make his Met debut in the role of Rodolfo in this evening’s performance of La Bohème, replacing Charles Castronovo who is ill.”
From our most esteemed Jungfer Marianne Leitmetzerin, a 2012 performance of Schoenberg’s Gurre-Lieder conducted by Zubin Mehta.
On this day in 1936 Noel Coward’s Tonight at 8:30 premiered in New York City.
And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith… I am nothing.”
Teatro Grattacielo is New York’s homegrown organization to rescue Verismo operas from oblivion, one per annum, allowing for the occasional double bill.
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