Recent Stories
For all their orchestral and vocal attractions, Nikolai Rimsky-Korsakov’s 15 operas are rarities in the West.
I guess you have spoken: “Bring us insane divas in operas we already know!”
Here you are, cher public, your ten most popular parterre box postings (by numbers of pageviews) for the week of September 27-October 3, 2015.
On this day in 1969 the first episode of Monty Python’s Flying Circus aired on BBC One.
This weekend Il Trovatore outgrossed the The Walk, a new IMAX film directed by Robert Zemeckis and starring Joseph Gordon-Levitt and Ben Kingsley.
Born on this day in 1880 journalist and author Damon Runyon.
On this day in 1970 the musical Coco closed at the Mark Hellinger Theater after 333 performances.
“Met Music Director James Levine has decided to lighten his workload by removing the new production of Berg’s Lulu from his schedule so that he may focus his energies completely on Wagner’s epic drama Tannhäuser.”
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Goodnight, Irene
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Poetic license
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Frau Miina-Liisa will es werde Nacht
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Parterre Box features soprano Miina-Liisa Värelä, making her title role debut in Die Walküre in Munich next week, in a performance of Tristan und Isolde from 2021.
Lux aeterna luceat eis
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Grand Tier Grab Bag this week honors the late Limmie Pulliam with a bit of his Verdi Requiem.
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
“Roberto Aronica will sing Cavaradossi in the first five performances of Puccini’s Tosca at the Met this season—October 16, 21, 24 matinee, 29, and November 2—replacing Massimo Giordano, who is ill.”
Forget the hurricane preparations for a few hours this afternoon and enjoy the live webcast of Les Contes d’Hoffmann from the Komische Oper Berlin, starting at 12:55 PM.
“The Kaiser’s Royal Opera of Berlin, which has been a hotbed of jealous intrigue ever since the invasion of American singers began a few years ago, is agitated afresh.”
Happy 77th birthday critic and interviewer Rex Reed.
Yes, obviously it’s La traviata, but where?
Gotham Chamber Opera is ceasing operations and will be closing.
“Taylor Stayton will sing the role of Percy in this evening’s performance of Donizetti’s Anna Bolena, replacing Stephen Costello, who is ill,” says the Met press office.
La Cieca (pictured, in her dreams) would like to pause just a moment in her editrixing duties for a spot of housekeeping.
Talk of the Town
Ernest Ansermet was a great opera conductor
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
Although Ernest Ansermet is most often associated with orchestral music, his 1964 recording of Debussy’s Pelléas et Mélisande is still my favorite.
Yannick Nézet-Séguin is a great opera conductor
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Historically, conductors were often viewed as rigid, authoritarian figures. Yannick Nézet-Séguin completely subverts this stereotype.
Patrizia Ciofi should have made it to the Met
The artist who I feel should have made it to the Met is Patrizia Ciofi.
The artist who I feel should have made it to the Met is Patrizia Ciofi.
Giannina Arangi-Lombardi never made it to the Met
Giannina Arangi-Lombardi never sang at the Met.
Giannina Arangi-Lombardi never sang at the Met.
Andrée Esposito and Alain Vanzo should have made it to the Met
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
This Mireille duet unites Andrée Esposito and Alain Vanzo and shows the timbral and stylistic qualities that made them exemplary.
Ebe Stignani and Anita Cerquetti should have made it to the Met
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Subtlety is for cowards, say the blazing Anita Cerquetti and the blaring Ebe Stignani.
Leave it to the New York Times to present a hard-hitting, no-holds-barred debate on the explosive subject of race, with Anthony Tommasini and Ben Brantley boldly in agreement throughout.
Tenor Paolo Fanale rehearses the Rossini Stabat Mater with Jesús López Cobos and L’Orchestre de Paris.
Although it falls into the 18th century opera-comique tradition, Tom Jones is actually a comédie mêlée d’ariettes, a comedy mixed with brief arias.
On this day in 1907 the Plaza Hotel opened.
“This throwback to the golden age of opera—superhuman singing greeted with frenzied ovations—was a function of a perfect storm of excitement.”
The opening night of the Bayerische Staatsoper’s new production of Aïda, featuring Jonas Kaufmann in his staged role debut as Radamès, was captured informally on audio, and can be heard in full after the jump.
Does the above photo depict a) the first day of rehearsals of Mefistofele at the Bayerische Staatsoper, or, b) a Deee-Lite reunion tour?
LA Opera opened their 30th season with a pairing of two of their most popular productions, both of which were initially staged by filmmakers not unfamiliar with the vagaries of our industry outpost here in Hollywoodland.
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