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“Trove Thursday” offers Così fan tutte with Pilar Lorengar, Josephine Veasey, Lucia Popp, Luigi Alva and Kieth Engen with Georg Solti conducting.
Born on this day in 1930 soprano Marni Nixon.
Antonacci’s singing is remarkably beautiful for one who clearly doesn’t make that a top priority.
Supernumerary callbacks for the Big Apple Singing Theater Association’s spring production of Bison Don’t Cry were held later that night at the Mariachi Playhouse.
On this day in 1957, Renata Tebaldi sang the title role in a new production of La traviata at the Met, directed by Tyrone Guthrie.
I struggle to articulate the notion of an erotics of art.
As a diehard completist I felt guilty as the Met’s scattered, campy revival of Semiramide lumbered toward its abrupt conclusion after nearly four hours.
On this day in 1724 Handel’s Giulio Cesare in Egitto premiered in London.
Grand Tier Grab Bag
Kathryn the great
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Parterre Box previews Kathryn Lewek‘s upcoming Salome with clips of her as another unhinged lady of antiquity.
Count your blessings
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week’s Grand Tier Grab Bag.
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Make an Assyrian of yourself tonight starting at 7:25 PM!
On Saturday Juilliard 415 welcomed the sterling 10-member Belgian group Vox Luminis for a striking program of “Handel in Rome.”
In observance of Edita’s Gruberova’s 50th anniversary in opera, I would like to offer a series of commentaries, over successive days, of my favorite performances.
On this day in 1967 the Marc Chagall production of Mozart’s Die Zauberflöte was unveiled at the Met. Soprano Lucia Popp made her Met debut as the Queen of the Night.
My mother leaned in and quietly whispered,”Is that Leontyne Price?” to which I replied,”Shhhh!”
In recent years, Opera Paralléle has established a reputation for creative programming of contemporary opera in San Francisco. Persuaded both by the promise of an unusual Bernstein-Heggie double bill, and the unusual venue of SF Jazz’s Miner Auditorium, I had the pleasure of attending an excellent production this past week.
Happy 85th birthday soprano Elly Ameling.
La bohéme returned to the stage of the Metropolitan Opera once again last night (does it ever leave?)
Talk of the Town
Mado Robin should have made it to the Met
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
I like to use this recording to annoy Mariah Carey fans by proving that whistle register doesn’t count.
Maria Kanyova should make it to the Met
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
I’m surprised that American soprano Maria Kanyova has never performed at the Met, even though she has loads of high-profile U.S. opera credits.
Barbara Hannigan should make it to the Met
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
Robert Rounseville should have made it to the Met
From one Mister Snow to another, I salute him.
From one Mister Snow to another, I salute him.
Denise Duval should have made it to the Met
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
I decided I’d take ‘never made it to the Met’ as an excuse to submit a post about why French soprano Denise Duval (1921-2015) is special to me.
A favorite Verdi performance from Eli Jacobson
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d’Arco from 1951.
The immortal Renata Tebaldi, just about 29 years old as Saint Joan in a RAI broadcast of Giovanna d’Arco from 1951.
There are two delights here: a delectable score too rarely heard and an introduction at close quarters to half a dozen young singers ready for takeoff, indeed already flying.
An early start for today’s broadcast, cher public: get enlightened starting at 11:30 AM.
On this day in 1904 Puccini’s Madama Butterfly had its disastrous premiere in Milan.
On this day in 1966, the Metropolitan Opera debut of tenor Alfredo Kraus as the Duke of Mantua.
Accelerating his arrival as Music Director by two seasons, Yannick Nézet-Séguin will take up the post in time for the start of the Metropolitan Opera’s 2018–19 season, it was announced today.
Either venomous fishwife Norman Lebrecht has deliberately misquoted and misinterpreted what Jonas Kaufmann said in a recent interview, or else Jonas Kaufmann needs to go fuck himself.
Happy 71st birthday composer John Adams.
The problem with trying to revive Semiramide today is competing with the memory of the spectacular casting lavished upon the work during the golden age of the Volpe era.
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