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If you already know the answer to this one, keep it under your hat!
In a lovingly curated program of art songs, Ying Fang and the pianist Myra Huang presented pieces hailing from four different national traditions.
On this day in 1981 “the Zeffirelli Bohème” opened at the Metropolitan Opera.
A main theme in Becky Nurse of Salem is how history is distorted by those who get to tell it.
On this day in 1979 mezzo Agnes Baltsa made her Metropolitan Opera debut as Octavian.
Perhaps the quirkiest of Mahler’s nine symphonies, the Fourth fits nicely with Yannick Nézet-Séguin’s somewhat idiosyncratic style.
A double bill (with a choral intermezzo) that just finished four nights’ run at the Manhattan School of Music is a delight, musically whimsical and reminiscent, wittily and colorfully staged.
On this day in 1920 Ravel’s La Valse premiered in Paris.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
Grand Tier Grab Bag
My 600 performance life
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Grand Tier Grab Bag
Life imitates art
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Grand Tier Grab Bag
Drink me
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
A live performance from the Vienna State Opera featuring Michael Volle, Georg Zeppenfeld, Wolfgang Koch, David Butt Philip and Hanna-Elisabeth Müller, conducted by Philippe Jordan.
Born on this day in 1919 actress Marie Windsor.
On this day in 1910 Puccini’s La fanciulla del West had its world premiere at the Metropolitan Opera.
Monday November 14th’s performance of Karlheinz Stockhausen’s Freitag aus Licht by the contemporary music ensemble Le Balcon began in complete chaos.
Diva November meets Wagner December when Chris’s Cache this week offers Régine Crespin as both Elisabeth in Tannhäuser and Senta in Der Fliegende Holländer via a pair of American pirates from the 1960s.
On this day in 1905 Richard Strauss‘s Salome premiered in Dresden.
On this day in 1925 the George S. Kaufman / Irving Berlin musical The Cocoanuts opened at the Lyric Theatre starring The Marx Brothers.
Talk of the Town
The Talk of the Town
A favorite art song performance from Belfagor
A favorite art song performance from Belfagor
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
Funnily enough, I’m not remotely a Rachmaninov fan, but this performance by Galina Vishnevskaya in her considerable prime always gives me the chills.
The Talk of the Town
A favorite art song performance from Rowna Sutin
A favorite art song performance from Rowna Sutin
With youthful abandon, Ms. Feola interprets an old chestnut.
With youthful abandon, Ms. Feola interprets an old chestnut.
The Talk of the Town
A favorite art song performance from Andrew Lokay
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
The Talk of the Town
A favorite art song performance from Jamie Barton
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
The Talk of the Town
A favorite art song performance from Leyla Gender-Bender
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
The Talk of the Town
A favorite art song performance from Erika Baikoff
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
For those who relish 17th and 18th century vocal music, the annual visits to the Morgan Library by the singers and instrumentalists of the Boston Early Music Festival invariably guarantee delight
Born on this day in 1864 soprano Sibyl Sanderson.
As the focal point of the The Far Country, Eric Yang anchors the production with a cool steadiness that only occasionally betrays a sense of urgency beneath his patient countenance.
On this day in 1960 soprano Eileen Farrell made her Metropolitan Opera debut in the title role of a new production of Gluck’s Alceste.
On this day in 1960, Galina Vishnevskaya made a guest appearance with the Metropolitan Opera, singing Madama Butterfly in Russian.
On this day in 1935 the Metropolitan Opera presented a new production of Die Walküre featuring the company debut of soprano Marjorie Lawrence as Brünnhilde.
Step aside, Texas: “Everything is bigger at Aida” is the motto of the Met’s second attempt at retiring Sonja Frisell’s colossal production.
Premiere of a new production from the Bayreische Staatsoper.
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