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Now playing on Sirius Satellite Radio, the January 17, 1973 performance of Norma with the following stellar cast … Norma: Montserrat Caballé; Pollione: Carlo Cossutta; Adalgisa: Fiorenza Cossotto; Oroveso: Giorgio Tozzi; Flavio: Charles Anthony; Clotilde: Carlotta Ordassy. Conductor: Carlo Felice Cillario. (So, don’t you think now is a good time to check out the Free…
The late Thomas Stewart as Wotan in Herbert von Karajan‘s film of Das Rheingold. La Cieca will present a podcast tribute to Mr. Stewart this weekend.
Anna Netrebko and Rolando Villazon in the dress rehearsal of Manon at the Los Angeles Opera.
Talking heads Anthony Tommasini and our own little JJ discussed “Opera for the Masses” yesterday afternoon on WNYC’s “Soundcheck.” The station’s website has made available the show for listening or download. (Scroll down to “Opera lives on YouTube” for JJ’s portion of the program.)
Our own editor JJ will be heard today on WNYC’s chat show Soundcheck, yammering away about the riches of video opera available on YouTube. It’s on 93.9 FM from 2:00 to 3:00 p.m. and is also available online. La Cieca’s own bewigged head has been busy too, introducing a 1967 Scotto Butterfly on Unnatural Acts…
Here’s a YouTube clip of the original telecast of Luisa Miller, complete with the screamed “Brava Maria Callas!” before Renata Scotto‘s first solo. La Cieca is informed that (reasonably enough) this interruption had been edited out of the eagerly-awaited DVD version. Note, too, that the DVD will feature state-of-the-art video and audio restoration, unlike this…
Dame Margaret Price sings Mozart in San Francisco’s Golden Gate Park in the summer of 1983. Gone indeed are this level of singing — and, sadly, this opera audience.
The celebrated dramatic soprano Astrid Varnay died earlier today in Munich. She was 88 years old. A few highlights from her 55 year career can be heard in this podcast. Included are scenes from Die Walkure, Tannhauser, Elektra, Der Fliegende Hollander, Der Rosenkavalier, Parsifal, Siegfried, and Tristan und Isolde. powered by ODEOUPDATE: one of the…
La Cieca has just completed the pilot for her very own (online) video series, playing Veejay in her own idiosyncratic way. Admittedly she is no Caskader, but she thinks you will agree that her presenting style is very animated. As always, La Cieca craves your comments and suggestions.
But no matter how “gaia” La Cieca became, she would never be “piu fulgida” than this.
As La Cieca hinted about six months ago, Anna Netrebko‘s Violetta will hit the Met boards during the 2010-11 season in the Willy Decker production from Salzburg. In the production (also on video from DGG), the miniskirted and hyperactive Netrebko is joined by Rolando Villazon.
“After I went through two X-ray machines and a metal detector, and then a hand-held metal detector, my carry-on luggage was gone through. A young woman took my shampoo, make-up, make-up remover, hair spray, a bottle of Scotch, contact lens solution and a prescription medication.” — The New York Times, August 12, 2006.
You would think that since La Cieca has heard Parsifal quite a few times, and even given the philosophical implications of the libretto a bit of thought, she would have realized that Schadenfreude is just plain bad news. But no, La Cieca had to go and LAAAAAACH-te at the New York Times obituary of Elisabeth…
Legendary mezzo-soprano Christa Ludwig is featured as one of the meanest mothers in all of opera, nasty Queen Klytemnästra, in a scene from Strauss’s Elektra as performed in Vienna, 1980. Birgit Nilsson is her disobedient daughter. The complete Klytemnästra scene is available as a playlist on YouTube.
Dario Volonte as Calaf, Amsterdam 2002.
Our publisher JJ (so recently browned out in Queens) expresses his thoughts on the Lincoln Center Festival’s Grendel in his Gay City News review. La Cieca herself picks up the slack on the podcast desk with her presentation of the second act of Maria Stuarda on Unnatural Acts of Opera. Meanwhile, the endlessly inventive Billyboy…
Through her usual impeccable and top-secret sources, La Cieca has managed to obtain some obviously bootlegged but fascinating video of the opera Grendel, as performed at the Lincoln Center Festival earlier this week. The video quality is only fair, but clip does depict some of the masterful puppet design by Julie Taymor.
Margaret Hamilton stars in the title role of The Licia Albanese Story. (Actually, that is Margaret Hamilton, but the role is that of an eccentric Texas millionairess who hires a high school band to accompany her performance of the national anthem in the Astrodome. It’s the opening scene of Robert Altman‘s 1970 film Brewster McCloud.…
The performance of Angela Gheorghiu as Violetta has attracted the attention of another Violetta of the present (Anna Netrebko), who will likely be a future interpreter of the role here in New York. And at least one Violetta of a past generation is expected to pay a courtesy call: Virginia Zeani has accepted an invitation…
Mike Richter is at it again, this time producing some very polished DVD presentations of operatic productions that are not available commerically. At only $15 a disc, Image Mogul is practically giving them away. Here’s a clip from one of the more mainstream offerings, a 1978 Don Carlo from La Scala with Placido Domingo and…
Not that La Cieca begrudges Jessye Norman her Grammy Award (she’s pictured celebrating in Tokyo after the ceremonies), but, honestly, what all has La Jess achieved in her lifetime that she should be given a Lifetime Achievement award? Certainly Norman’s has been a very visible and well-publicized career, but when La Cieca talks about a…
“I sang Violetta that year, too! Tony Tommasini said it was the best thing I ever did! They never even broadcast it in the United States! They were too busy giving a big build-up to that crap you were turning out.” Video
The New York Post‘s Clive Barnes is going to blush beet-red when he hears from the publicists (or the lawyers) who handle Placido Domingo. In a review of the Met’s Rigoletto, Barnes refers to PD as “the 72-year-old tenor.” Domingo admits to 65, though some gossips have long sniped that this figure doesn’t add up…
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
