Questo e Quello
The building that used to house Amato Opera will be repurposed into “a 100-seat theater showcasing work from various theater troupes,” plus “a 70-seat restaurant and bar,” which means that it’s just possible that at least sometimes opera companies may perform there again — assuming the rental on the theater space is not too prohibitive.…
Okay, so here’s that Luc Bondy production of Tosca again, this time as seen at the Bayerische Staatsoper earlier this summer, with the “original cast” of Karita Mattila and the singer who did all the rehearsals in New York until the last week, Juha Uusitalo. They rehearsed again for the co-production in Munich for festival performances and…
La Cieca was thinking that what with all the reading ye cher public are doing at the beach (or, more likely, bars and steam rooms and museums or wherever you hole up) it might be an interesting experiment to convene a virtual (i.e., online) book discussion. Except, instead of Oprah’s Book Club, this will be…
Your feelings about the new Opus Arte DVD of Handel’s Acis and Galatea will have a lot to do with your tolerance for gentle whimsy. As a cultural consumer who tends to gravitate toward the more high-octane, Italianate drama of a Verdi overture or a Real Housewives of New Jersey hair-pull, I do my best…
“Though the new sound system couldn’t make Central Park’s SummerStage sound like a concert hall, the first of the Metropolitan Opera’s Summer Recital Series made sweet dinner music Monday for 3,800 listeners and their picnics.” [New York Post]
The Australian conductor and authority on the operas of Janácek and Mozart died earlier today in London. He was 84.
“Internationally acclaimed opera singer and arts administrator Plácido Domingo, General Director of Washington National Opera (WNO), will lead a group of his protégés in a concert performance of Verdi’s Rigoletto on August 2, 2010, at Beijing’s Reignwood Theater…. The concert performance marks the first time that Domingo, a legendary tenor who has recently made highly…
The lovely and personable Jumping Clapping Man will act as host/coordinator of the first-ever Norcal Parterre.com Gathering Demented Mini-Conference (as seen in the above artist’s rendering). Details after the jump (and clap).
“…by any standard, Meade’s is a very fine Norma — and, as a first attempt at this Mount Everest of a role, it’s simply a miracle.” [New York Post]
After Friday night, it seems clear that the Brooklyn hipster is destined to be the next audience for opera. Galapagos Art Space was home to another co-production by American Opera Projects and Opera on Tap, this their fifth collaboration, and once again some amazing surprises were presented by this rag-tag bunch of very experimental artists.…
So a member of the cher public writes, “The odious Command Opera says that Netrebko has cancelled the Mariinsky Bolenas” which, according to the Mariinsky site certainly seems to be true. Or at least what seems to be true is that the rumored or planned production of Anna Bolena at the Mariinsky is not happening…
The Norwegian dramatic soprano, often called “the voice of the century,” was born 115 years ago today. The hard-working singer became a sensation “overnight” when, after the first act of her Met debut as Sieglinde, she was hailed by intermission commentator Geraldine Farrar as a new star.
More of you than La Cieca can mention managed to unveil the solution to last week’s Regie quiz: it was indeed Don Giovanni, as presented at Oper Köln and helmed by Uwe Eric Laufenberg. (A video on the Oper Köln website offers further visuals.) And now… something a little less extravagant?
Which tenor, who’s notorious for his off-the-chain antics, recently gave his colleagues the willies when he sauntered about backstage butt-naked?
Here’s home base for the cher public’s afternoon opera listening, whichever of the multitude of selections you choose to follow.
“My goal is just to make as many people happy with my throat as I can.” [Time Out New York]
“Why is the needlessly naked executioner so coy about showing us his wobbly bits?” [The Telegraph]
No, there never was an answer to that celebrated Lewis Carroll conundrum, but its inexplicability pales into insignificance next to the query sent in by loyal reader S.A.: why is Jack Black covering Bryn Terfel in the Met’s Ring?
Sweet Betsy again rounds up the Saturday afternoon listenables. La Cieca leans toward Manon naturellement, but she should warn you that she’s off like Des Grieux’s cassock at 3:00 pm to jump on the Caramoor Caravan. After the jump (not onto the Caravan!) the complete list of what’s singing who.
Finally, after all these months, La Cieca begins to understand the ways of Fthà in arranging the universe so that Francesca Zambello would be chosen new honcho (honcha?) of the Glimmerglass Festival. At first it seemed this turn of events was to transpire only so that dear ‘Cesca could stage half-baked feminist rewrites of Annie…
The voyages of CruzSF and his parterre box t-shirt continue as they visit the War Memorial Opera House in sunny San Francisco.
Legendary diva Martina Arroyo chats with Our Own JJ about learning, teaching and The Odd Couple. [New York Post]
La Cieca (pictured) can hardly muster a messa di voce after the overwhelming torrent of entries in the “You Can Ring My Bel Canto” competition, but after hours of careful consideration and hobnobbing with my fellow doyennes, I have finally come do a decision as to who should be considered a prima inter pares.
Chicago’s William Mason will ankle Lyric Opera at the end of the 2011-2012 season. John von Rhein‘s list of dreary white male possible successors is as good evidence as La Cieca has seen recently of the value of thinking outside the box. [Chicago Tribune]
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
×
Sign up for Parterre’s free newsletter.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.