Questo e Quello
The diva, soon to open the Met season in Anna Bolena, marks the Four Oh milestone today.
“Zeffirelli, who has been directing plays, films, and operas for more than 60 years, laments that the Met recently started phasing out some of his classic productions, including Traviata, Tosca, and Carmen, for ‘financial reasons,’ he says. And substituting them with ‘hippie crap’.” [Variety]
The place to be this afternoon is where the chat concerns Il trittico from the Royal Opera House. The triple play broadcast begins at 1:20 EDT and may be heard on the BBC iPlayer. (For other listening options, consult Operashare.) The chat, of course, will flow freely in La Casa della Cieca.
La Cieca would like to nudge gently the cher public with a reminder that there is only one day left in the great “Divina Draculette” photo retouching competition, noting the slight change in rules calling for you to email La Cieca with your photos. Prizes for the best in show include Sony’s live Met CD…
In a post Jimmy Swaggart, Jim Bakker, and Jerry Falwell era and with politicians spouting that natural disasters are God’s way of telling us to reduce the national debt, Sinclair Lewis’ Elmer Gantry seems more prescient than even he probably intended. A satirical novel about the excesses of the evangelical movement in the early part…
On this day 34 years ago, Maria Callas died in her apartment in Paris. Since then the iconic diva has been recollected, documented, analyzed, digitized and portrayed by Tyne Daly. La Cieca invites you, the cher public, to keep her mind today by sharing your favorite Callas performances in the comments section.
Wednesday afternoon, Pocket Orchestra New York’s new PONYmobile presented a guerrilla performance of sorts in a most unlikely space, the XES Lounge in Manhattan, where designer Joel Yapching‘s BOOK homme debuted its Spring/Summer 2012 collection to the strains of Monteverdi’s Il Ritorno d’Ulisse in patria.
It will come to no surprise to the parterriani (though perhaps something of a relief to Peter Gelb) that the most coveted ticket of the fall season in New York is Anna Bolena, the Donizetti premiere at the Met featuring Anna Netrebko‘s lovely head. Complete results of the more than 1,100 votes cast in the…
La Cieca assumes that it was while changing frocks from citron to sage that America’s Multitasker Renée Fleming approved the above-pictured outdoor advertising for LOC’s impending season. Because, after all, what celebrity screams “Lyric Opera of Chicago” more obviously than Vanessa Williams? (Thanks to AC for the photo!)
Our Own JJ returns to the pages of Capital New York to reflect on the current Broadway revival of the Sondheim-Goldman musical Follies: “one gorgeous zombie.” (Photo: Joan Marcus)
Well, actually, it appears Michael Riedel was misinformed. (Alert the media!) The Gershwins’ Porgy and Bess is, in fact, coming to Broadway. [New York Times]
Oh, this should turn out well: “Angela Gheorghiu has recorded a collection of French and Italian opera arias in tribute to the late Maria Callas for EMI Classics…. included are arias by Puccini, Gounod, Bellini, Leoncavallo, Saint-Saëns, Catalani, Bizet, Giordano, Cherubini, Massenet and Cilèa.” Which gives La Cieca an idea for a competition, after the…
Tenor/conductor/impresario/corporate shill Placido Domingo welcomed an extension of copyright protection across Europe today as “great news for performing artists.” Well, he’s half right.
Here it is, ladies and gentlemen, your off-topic and general interest thread for the second week of September.
Sony Classical, in association with The Metropolitan Opera, has begun issuing on CD a number of historic Met broadcasts, newly remastered. The first I received for review was the December 10, 1955 broadcast of Verdi’s Un ballo in maschera, perhaps most notable for the Ulrica of Marian Anderson, who earlier that year made her debut…
The Teatro dell’Opera di Roma is “considering actions to be taken to protect the image of the Foundation of its workers and their audiences” following Fabio Luisi‘s cancellation of his participation in Elektra at that theater in order to make time to help clean up the Levineshchina in New York. [Teatro dell’Opera di Roma]
Bel canto fanciers, diva fanatics and freebie queens alike will be delighted to hear that the Met is offering 2,500 gratis tickets to the September 22 open dress rehearsal of Donizetti’s Anna Bolena, starring Anna Netrebko in the title role.
La Cieca is delighted to announce that her old, old, old friend Eli Jacobson (pictured, right) has ascended to a position of leadership in the Gay Men’s Opera Club in what one assumes was a relatively bloodless coup.
La Cieca is not sure if this is a casting announcement or the result of a particularly silly round of Mad Libs: Plácido Domingo will add yet another notch to his repertoire, the title role of Der Fliegende Holländer, in a production at the Arena di Verona in the summer of 2013, with Daniel Barenboim…
Congratulations to Mr. and Mrs. Tim Jessell, who, according to a spokesperson for the bride, were married September 3. The bride, née Renée Fleming, will keep her maiden name.
“The People’s Diva,” “America’s Soprano,” “The Beautiful Voice, ” “la Grace Kelly della lirica”—in her busy and seemingly interminable career Renée Fleming has worn almost as many hats as hair colors. But henceforth she must also be known as “The Peggy Olson of the Windy City” thanks to her inestimable leadership in crafting Lyric Opera…
“Gioia!” is the title of Aleksandra Kurzak‘s debut aria recital, her first international release under a new exclusive contract with Decca Music Group, and—not surprisingly—this writer’s response to the soprano’s sparkling vocalism. In the liner notes, the Polish soprano explains that the title of this recording was her agent’s suggestion: “He said that he can…
So, who can tell La Cieca what the 2011-12 Metropolitan Opera season has in common with the 2007 Yankees?
La Cieca (pictured, center) reminds the cher public that it is very rapidly becoming “that time of year again,” and so, and while we have a brief respite from the flurry of Met press releases, you are invited to select your most anticipated performances of the fall.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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