“The Greek drama affords us one character which, had Shakespeare studied it in the three great tragedians of that people, and then, preserving Greek manners as ably as he did Roman, written it from his own heart and mind, might have been worthy to succeed the greatest achievement of the stage.”
She’s been a showgirl, a bubble dancer, a drag king, and of course a maimed statue.
La Cieca invites the cher public to gather “just like girlfriends—with hats on…” for this week’s round of discussion re: off-topic and general interest subjects.
Manuel de Falla’s La Vida Breve makes its video debut with this release from C-Major which means there’s still plenty of opportunities for improvement.
Here’s the thing about puns, Betsy: summer going to enjoy them and summer not.
La Cieca is sure that many, if not all, of the cher public are literally salivating at the prospect of seeing an actual performance of Chabrier’s Le Roi Malgré Lui as it will be presented in its US stage premiere at Bard SummerScape beginning July 27.
After a brilliantly collaborative start, the cher public fell just short of deciphering the complete Beim Schlafengehen quiz, though several of you did very well indeed.
Our Own JJ has been spending a lot of time outdoors lately, which is such a novelty for him that he felt he really must write about it.
When Giuseppe Filianoti isn’t busy being one of the world’s more versatile tenors, he plays detective.
Venerable Opera magazine had better watch its ass, since the publication’s “We Hear That” column will probably be getting a “visit” from the Met’s thugs goons legal counsel any minute now.
With almost frightening speed, floridante2k nailed our most recent Regie quiz.
Richard Wagner believed the key to any legend was contrasting the supernatural with human nature, and showing how the combination had no chance of enduring. In Lohengrin, the title’s character’s insistence on unconditional love and trust collide with the conditional expectations of the real world. The challenge is capturing the tale’s somber majesty without losing […]
By the time Rossini was 20, he had produced six operas, most of them brief, comic and slight. He admitted to admiring Mozart (not then well known south of the Alps), but the melodies of his early works show more of the influence of Paisiello.
La Cieca would like to take this opportunity to extend kudos to Francesca Zambello and the Glimmerglass Festival on what looks to be their season’s first smash hit: a new production of the classic musical Dreamgirls.
La Cieca (right) welcomes the cher public (and you know who you are) to an all-out, no-holds-barred edition of our weekly general interest and off-topic discussion.
Betsy Ann Bobolink presents a Betsy Ann Bobolink production of un film de Bétsy Ann Bobolinque.
The cover picture on the Opera Australia’s DVD
of a 2011 production of Mozart’s Don Giovanni is rather startling.
“Yet the evening’s first words, heard in the set-piece Ombra ma fui—like all of Xerxes’ arias sung with monarchic sprezzatura and amoral relish by Stella Doufexis…”
Coming up over the next two weekends: a pair of streamed video performances sure to provide plenty of chat fodder.
Sometime in 1753, Frederick The Great of Prussia, following a tiff with his great friend Voltaire, began writing an opera libretto in French prose that was to elucidate his ideas about the role of an enlightened monarch.
I have a confession to make about Britten’s opera Billy Budd: I don’t like it very much.”
American soprano Evelyn Lear died quietly earlier this evening at at Brooke Grove nursing center in Sandy Spring, Maryland. She was 86.
Stay cool, cher public, as La Cieca (center) invites you all to comment on off-topic and general interest subjects during the week of July 1.
As we lurch into the month of July, La Cieca (not pictured, one hopes) wants quietly but firmly to draw the attention of her cher public to some of the more interesting releases on audio and video newly available on Amazon.com.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
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