Questo e Quello

Chat: Roberto Devereux Chat: Roberto Devereux

Welcome, cher public, to the real-time chat for this evening’s Met premiere of Roberto Devereux, starting at 7:55 PM. Photo: Ken Howard/Metropolitan Opera

Truth is something desperate Truth is something desperate

On this day in 1955 Tennessee Williams‘ play Cat on a Hot Tin Roof opened at the Morosco Theatre, to run 594 performances.

Call her madame Call her madame

“Singers slated for next season include… Jane Eaglen (Mother Goose in The Rake’s Progress).”

Roberto Devereux: Tragedy Mirrored Roberto Devereux: Tragedy Mirrored

By the time Roberto Devereux saw its premiere at Napoli’s Teatro San Carlo on 29 October, 1837, Gaetano Donizetti had lost, in an 18-month time frame, both his parents, two still-born children, and his beloved wife Virginia.

Come un bel dì di marzo Come un bel dì di marzo

On this day in 1896 Giordano’s Andrea Chenier premiered in Milan.

Out of the past Out of the past

Myto’s transfer of Herbert von Karajan’s star-bedecked 1958 Die Walküre from La Scala gives collectors on a budget access to one of the legendary performances committed to tape.

Stern-umstrahlet Stern-umstrahlet

Born on this day in 1912 soprano/mezzo-soprano Martha Mödl,

Sie ist ein Ungeheuer, deine Tochter Sie ist ein Ungeheuer, deine Tochter

The focus in this 1974 performance of Salome from Orange is (mostly) on the Herodes of Jon Vickers.

“The groom was prettier than the bride” “The groom was prettier than the bride”

On this day in 1963 Elliott Gould and Barbra Streisand were married.

Auf den Leichen lag sie tot Auf den Leichen lag sie tot

The 2017 Salzburg Easter Festival promises an intriguing blend of dramaturgy and necromancy “by attempting to re-create Karajan’s musico-theatrical vision of Die Walküre from 1967.”

Blowing in the wind Blowing in the wind

Born on this day in 1928 television personality Fred Rogers.

Die Zeit, die ist ein sonderbar Ding Die Zeit, die ist ein sonderbar Ding

Transgender performance artist Justin Vivian Bond appropriated a symbol of operatic conservatism—the Marschallin’s costume as designed by Robert O’Hearn (and paid for by Mrs. John D. Rockefeller, Jr.!)

Chat: L’elisir d’amore Chat: L’elisir d’amore

Crack open a bottle of Bordeaux and enjoy this afternoon’s “La Casa della Cieca” chat during the Met broadcast of L’elisir d’amore.

It gives her purpose, gives her voice It gives her purpose, gives her voice

Here the first video of Natalie Dessay in Sondheim’s Passion at the Théâtre du Châtelet.

Sous le feuillage sombre voici nos amoureux qui reviennent! Sous le feuillage sombre voici nos amoureux qui reviennent!

On this day in 1859 Charles Gounod’s Faust premiered in Paris; five years later his opera Mirelle also premiered.

Chat: Un ballo in maschera from the Bayerische Staatsoper Chat: Un ballo in maschera from the Bayerische Staatsoper

Back by popular demand, cher public, live chat, just in time for this evening’s webcast of Un ballo in maschera from Munich.

Sul tuo capo la scure già piomba Sul tuo capo la scure già piomba

David McVicar, on his knee, with… Mariusz Kwiecien during a rehearsal.”

Donizetti, lionized Donizetti, lionized

Just when you thought it was safe to return to Rossini and Verdi—blam!

All about the voice All about the voice

Tenor Paul Appleby’s onstage persona is as American as apple crisp, and he possesses the untroubled confidence of a politician.

It is the strain I heard within my soul It is the strain I heard within my soul

On this day in 1910, Frederick S. Converse‘s The Pipe of Desire premiered at the Met, the first opera by an American composer to be performed by that company.

Transcendental Transcendental

“Join me this Friday at The Metropolitan Opera for the next #FUN40”

High Campra High Campra

“Trove Thursday” presents Campra’s first “hit” L’Europe Galante in a broadcast from Versailles’s Opéra Royal by Les Musiciens du Louvre conducted by Marc Minkowski.

Bonjour, fière cité Bonjour, fière cité

On this day in 1990 the Paris Bastille Opera opened with a performance of Berlioz’ Les Troyens.

Because she’s happy Because she’s happy

There are two kinds of opera lovers: Those who despise or tolerate La Gioconda as a preposterous rip-off of Aida that lingered a century in the repertory in spite of its galumphing story, largely because of the popularity of its tuneful ballet—and true opera lovers. We love every silly note of the thing, and every…