Patrick Mack

Patrick Mack starting listening to opera as a teenager to the total bewilderment of his rock and roll mother. He sang leading roles in the opera departments of Santa Monica College and UCLA and for two years in the Baltimore Symphony Chorus. In 2003 he joined the tenor section of The Verdi Chorus which has been giving young singers paid performance opportunities for over 30 years. He has served on their Board of
Directors since 2012 and handles their publicity, marketing, and Facebook page. Patrick is a luxury cruise consultant with All-Travel in
Los Angeles and was honored as one of the Top 25 Travel Agents in the country in 2015 by Travel Agent Magazine. Having weaned himself from an
early age on the musical opinions of Andrew Porter in the New Yorker, he has been wielding the critics pen on since 2011.
His singing of the national anthem has never failed to impress those standing closest to him at any public event he attends.

I’ve been a big fan of Donizetti’s Anna Bolena since I first heard it on recording and have always felt that it deserved a definitive recorded performance. Here’s a brief tour of why this hasn’t happened. There’s the Bible, also known as the live Scala relay with Callas and Simionato and musical cuts so egregious…

on December 08, 2011 at 11:59 AM

I’ll confess it. I am a bloodthirsty opera fan.  I’m not above judging the quality of a work by the size of the body count at the finale.  After sitting through Traviata or Boheme all evening I’m often disappointed when only one person dies in the last act. All the principals are dead at the…

on October 10, 2011 at 9:59 AM

In what may qualify as the most unholy alliance of Peter Gelb‘s tenure at the Met so far, since February the “Live in HD” performances from 2009 of both Turandot and Aida issued by Decca have been available from… Target. Only Target. They are scheduled for international release this July. Up until recently there has…

on June 12, 2011 at 12:31 PM

This mostly wonderful performance of Handel’s Theodora opened the 2009 Salzburg Festival in honor of the 250th anniversary of the composer’s death. Written at the beginning of the last decade of the composer’s life, it was a work that he held in very high regard even though he knew its subject matter would not excite. Only…

on May 29, 2011 at 5:04 PM
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