Parterre Box
I don’t know if I’ll ever hear as great a performance as René Pape‘s Gurnemanz.
Cesare Siepi and Giulio Neri give a reference rendition of the Grand Inquisitor scene.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Boris Christoff’s Procida (along with Cerquetti’s Elena) lifts Mario Rossi’s RAI Torino Vespri to distinction.
Three more months of The Talk of the Town means that we need your most sizzling takes!
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
No one in my experience both live and on records could swagger, spin out roulades, and ripple through Rossini and Handel like Samuel Ramey.
Before hearing Samuel Ramey as Zaccaria in Nabucco, I had always been more interested in higher voices.
This performance features Samuel Ramey in what I consider one of the most powerful deliveries of this aria on record.
“Even Peter Gelb’s critics concede that he has had a long run of finding pots of gold,” says The New York Times of the Metropolitan Opera‘s dire money troubles. “But is he running out of rainbows?”
Nobody in my experience has come close to rivaling Samuel Ramey as the shy, lovelorn Englishman Lord Sidney from that first cast.
The great bass Len Dresslar became famous (if unknown) as the voice of the Jolly Green Giant on all those ads that those of us (of a certain age) grew up on
Fyodor Chaliapin, the very great Russian basso, to this day owns the role of Massenet’s Don Quichotte.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Fyodor Chaliapin is considered one of the greatest basses ever because he combined a dark, flexible, and instantly recognizable bass voice with extraordinary musical intelligence and nuance.
I wanted to make sure Paata Burchuladze gets celebrated in this series.
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
“Soprano Aleksandra Kurzak will sing the role of Cio-Cio-San in Puccini’s Madama Butterfly, replacing Sonya Yoncheva, who has withdrawn from the run due to family reasons,” says the Met press office.
For all his undeniable precision and discipline, I still find Toscanini’s tempi rushed and unyielding and his lack of rubato a chilly turnoff.
While the three leads do sing the material well, there has been a glut of recordings since then which are more complete and at least as well sung.
Ahead of his performance in Les pêcheurs de perles with Washington Concert Opera, Parterre Box features the unusually elegant Anthony León performing Mozart.
It was many decades ago that I first listened to the Solti Ring Cycle.
The Solti recording of Bohème is completely miscast.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
