La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

I hear singing and there’s no one there I hear singing and there’s no one there

“What you may not realize is that most of the sound effects and background music have been made entirely from a base of recorded clusters of notes sung by Ms. Fleming.”

Get ur frack on Get ur frack on

“The first person walks out of this preview performance about 30 minutes in…”

Hollywood Babylon Hollywood Babylon

Another new role!

I want to take you higher I want to take you higher

The Richard Tucker Music Foundation announced today that Lisette Oropesa has been named as the winner of the 2019 Richard Tucker Award.

Broadcast: La Juive Broadcast: La Juive

Let the creepiness from Met begin (for today, anyway) at 1:00 PM.

Broadcast: La clemenza di Tito Broadcast: La clemenza di Tito

Have a Roman holiday this evening starting at 7:55 PM, cher public!

All we are saying is give ‘Pace’ a chance. All we are saying is give ‘Pace’ a chance.

Anna Netrebko sings con Forza

Diamond jubilee Diamond jubilee

Via Facebook

Sondra’s back Sondra’s back

The return of Sondra Radvanovsky to the Met in Aida dominated parterre box in March.

Broadcast: La fanciulla del West Broadcast: La fanciulla del West

There’s a live video webcast of Puccini’s western from the Bayerische Staatsoper starting at 2:00 PM EDT.

Broadcast: Die Walküre

Wake up, sleepyheads, and tune in to this afternoon’s live Met broadcast at noon.

Sister Christine Sister Christine

This diva looks like that diva as that other diva.

Mannes Ehre, ewige mocked Mannes Ehre, ewige mocked

When Anthony Tommasini finds more political content in the Ring than your stage director does, you’re doing it wrong.

Broadcast: Die Walküre Broadcast: Die Walküre

And a hearty “Hojotoho!” to all of you, cher public!

Broadcast: Samson et Dalila Broadcast: Samson et Dalila

The Philistines lose yet once again this afternoon at 1:00.

Broadcast: Der Prinz von Homburg Broadcast: Der Prinz von Homburg

The rarely-heard Hans Werner Henze opera is telecast live from the Staatsoper Stuttgart beginning at 2:20 PM.

Broadcast: Rigoletto Broadcast: Rigoletto

The chat is late, but it’s here! (Photo: Marty Sohl / Met Opera)

Born to lose Born to lose

Robert Lepage‘s direction of a crucial scene in the Ring is even worse than Otto Schenk‘s, if such a thing is possible.”

Once we thought he’d never grow tall as this fence Once we thought he’d never grow tall as this fence

Our Own Joel Rozen is no longer Our Own, except of course in the most important sense that we will always adore him.

Die, die my darlings Die, die my darlings

The year 2020 marks the first staged performances of Turandot on Anna Netrebko‘s schedule. She introduces her complete interpretation at the Bayerische Staatsoper January 28 and 31 and February 3.

Broadcast: Falstaff Broadcast: Falstaff

A sunny opera for an overcast afternoon: the Met’s broadcast of Falstaff begins at 1:00 PM.

Broadcast: Das Rheingold Broadcast: Das Rheingold

The Entry of the Cher Public into Valhalla begins at 7:55 PM.

Hair apparent Hair apparent

Gregory Kunde will sing Samson in the March 16, 19, and 23 performances of Saint-Saëns’s Samson et Dalila, replacing Aleksandrs Antonenko, who is ill.

Sonya Yoncheva plays Mad Libs Sonya Yoncheva plays Mad Libs

[via Twitter]