La Cieca
James Jorden (who writes under the names "La Cieca" and "Our Own JJ") is the founder and editor of parterre box. During his 20 year career as an opera critic he has written for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He has also raised his voice in punditry on National Public Radio. From time to time he has directed opera, including three unsuccessful productions of Don Giovanni, a work he hopes to return to someday. Currently he alternates his doyenne duties with writing a weekly column on opera for the New York Observer.
Sister Sieglinde summarizes the roiling controversy so far in her Diary, and the most recent whisper La Cieca has heard is, “if that rock promoter wanted Avril Lavigne, he should have hired Avril Lavigne; Aprile is an opera singer.” Among the rumors La Cieca doesn’t believe: Millo is afraid to sing high notes. [Duh, she…
By La Cieca
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La Cieca just heard this on opera-l just now, and checked the Ron Delsener Presents web site, which states, yes, “this show has been canceled.” No idea why, but La Cieca will ask around. Update: a source close to the Delsener organization has told La Cieca that the promoter and the artist had “artistic differences,”…
By La Cieca
Starting tonight on “Unnatural Acts of Opera,” something of a departure, in more ways that one. To begin with, it’s La Cieca’s first snippet show, featuring individual scenes and arias instead of the more familiar whole acts. The other strange part about this show is that it features the type of singer La Cieca doesn’t…
By La Cieca
“Tell me, Roberto, does this costume make my manly butt look big?” Speaking of which, has Anthony Tommasini started writing under an assumed name?
By La Cieca
A close reading of Paul Kellogg‘s announcement of his resignation from the NYCO suggests to La Cieca that there’s some kind of major bad news that’s being kept secret here. I’m thinking that maybe it’s yet another setback in building that new opera house. To be perfectly frank, La Cieca has come to the conclusion…
By La Cieca
Which mega-manager went on a quest to fleece other agents of the most glittering stars on their rosters, but managed to sign only one medium-major name — a soprano whose star vehicle at a swanky summer festival was almost immediately scuttled in favor of a Gilbert and Sullivan revival? (A pity this soprano’s repertoire doesn’t…
By La Cieca
Maria Guleghina‘s first Vespri Elena. Hurricane Katrina. You write your own joke. From Playbillarts.
By La Cieca
It certainly is not news that lesbians are pretty handy around the opera house, whether it’s singing Octavian or running the light board. But the English National Opera is hoping that the promise of hot girl-on-girl action will give their box office a woody. The company is advertising their production of a new work called…
By La Cieca
La Cieca is delighted to announce that our editor JJ is directing yet once again, this time a production of Die Fledermaus for the [working title] opera. The single gala performance of the Johann Strauss II operetta is scheduled for September 18, 2005 at The Ballroom at the Century Center Theatre, 111 E. 15th Street…
By La Cieca
It appears that La Cieca’s concerns about the suitability of Maria Guleghina for I vespri siciliani are shared by certain members of the Washington Opera administration. An insider whispers that MG’s (infrequent) vocalizing at rehearsals has been “horrific,” and members of the company are just waiting for the axe to fall. Expect Domingo to protest…
By La Cieca
In response to the recent lively(ish) discussion about the suitability of Maria Guleghina to the rigors of the role of Elena in I vespri siciliani, La Cieca has decided that she should demonstrate how this music should be sung. No, actually La Cieca is not going to sing it herself; rather, she will present Renata…
By La Cieca
La Cieca is borrowing a catch-phrase from dear Leonard Pinth-Garnell because she can’t think of a better word to describe… Maria Guleghina in I vespri siciliani. Is there anyone who thinks this is a good idea?
By La Cieca
Just when La Cieca thought there could be no more opera this late in the summer, suddenly she finds out that something called REPO! The Genetic Opera opens tonight for a limited run at the Wings Theater on Christopher Street. The piece is described so: “a futuristic rock musical, Repo! takes place during an epidemic…
By La Cieca
Performers in the Neukoellner Opera House’s production of Saint-Saens’s opera La Princesse Jaune smoke pot. The man-bites-dog angle on this story, though, is that they smoke it onstage, as part of the mise-en-scene. And the artistic director of the company, this dude named Bernhard Glocksin, has encouraged audience members to smoke their own weed during…
By La Cieca
James Conlon, Régine Crespin, Plácido Domingo, Susan Graham and Dolora Zajick are to be lauded at all-new set of honors, “The Opera News Awards,” the occasion to be marked with cocktails, musical performances and other revelry at the dear Pierre Hotel on November 20. If La Cieca may offer just one teensy opinion (and who’s…
By La Cieca
It appears that La Cieca has finally acknowledged that there is more to opera than high-voiced divas: tenors can be pretty amazing as well. As such, we’ve declared Mario del Monaco week at Unnatural Acts of Opera. The celebration begins this evening with the first act of Puccini’s La fanciulla del West, the 1954 Florence…
By La Cieca
Soprano Renate Behle is jumping into the NYCO’s Ariane etBarbe-Bleu, replacing the “injured” Carol Vaness. And while you’re catching up on the company’s casting and repertory for the fall season, do make a point of checking out the NYCO’s site’s multimedia “trailers,” written and narrated by dramaturg Cori Ellison.
By La Cieca
Which suave singer, perhaps distracted by his not-so-noble legal problems, suffered a meltdown at a public master class this weekend, repeatedly snarling “motherfucker” at his startled students? Shocked witnesses swore that the event should have been retitled “I hear America swearing!”
By La Cieca
… down at Carnegie Hall. Or will be, on October 14, when the soprano performs a solo recital at the venerated venue. Details are sketchy at the moment, but La Millo is always good for golden-age tone and demeanor. Diva-fanciers should find themselves either run ragged or in heaven that week (depending on the quality…
By La Cieca
The notorious 1969 Met broadcast of Lucia di Lammermoor, featuring Anna Moffo in, uh, unusual voice, will be webcast by Concertzender this afternoon beginning at 1 PM EDT. Sorry for the late notice, but this is worth at least a partial listen. For those of you who keep up with these things, Nicolai Gedda and…
By La Cieca
Gold, Silver and Bronze Medalistsin the Helen Traubel lookalike contest Goetterdaemmullet!
By La Cieca
La Cieca has to think of a new term that means “information I didn’t previously know, but at the same time is not at all surprising.” For example, Jane Eaglen belches backstage and wears peculiar shoes — per Trrill.
By La Cieca
Vivaldi’s Motezuma, the opera that refuses to die, will grace the boards after all, says an article by Paul Moor at Musicalamerica.com. A court in Duesseldorf has held that the Altstadtherbst Festival in that city may stage the piece, regardless of a previous injunction against performances filed by the “copyright owner,” the Berliner Sing-Akademie. (The…
By La Cieca
La Cieca has just heard that Carol Vaness has canceled her performances of Ariane et Barbe-Bleu at the New York City Opera this fall due to “injury.” The opening night of this Dukas production is scheduled for October 6, less than six weeks from now, and the word is that NYCO is scrambling rather intensely…
By La Cieca
