La Cieca

James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.

Medium rare

La Cieca hears that a highlight of the 2010-2011 New York City Opera season will be the local premiere of Seance on a Wet Afternoon, the Stephen Schwartz tuner to star Lauren Flanigan.

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Raina, ritornata

Legendary diva Raina Kabaivanska, who announced her farewell to opera her two years ago as the Countess in Queen of Spades, has changed her mind. The soprano has accepted the leading role in Nino Rota‘s opera buffa La scuola di guida (The Driving School), as a woman who falls in love with her driving instructor. […]

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Three things I learned from Werther

1. Webcast technology has been refined enormously in the barely two years since the pioneering (and frustrating) effort at streaming a performance of Il Sant’Alessio. The embeddable (!) player didn’t skip once that I could see, and the sound was consistent. Neither, obviously, was exactly HD quality, but the experience felt quite seamless.

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‘Zoo story

No, Ann Murray will not perform the role of the Marquise de Berkenfield at the Met, as announced previously when Felicity Palmer withdrew from the role.  With Jean Rigby and Rebecca de Pont Davies booked up years in advance, the Met will muddle through somehow with Meredith Arwady, who hails from a place implausibly called […]

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Passing the baton

Alberto Veronesi has been appointed Music Director of Opera Orchestra of New York, effective in the 2011-12 season. He will succeed OONY founder Eve Queler, who will become Conductor Laureate once Veronesi’s initial five-year tenure begins.

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The naming of names

A confab with our redoubtable Internets Guru Nick Scholl just now resulted in two innovations. First, for those of you who want a quick and handy way to keep up with recent comments, there is now a comments feed button in the left navigation bar just beneath the display of the most recent mots from […]

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Formula for success

“Although they work in different genres, both Plácido Domingo and Elaine Stritch continue to impress and inspire with their dedication to stretching their talents in new directions.” If only Charles Isherwood could somehow have found a way to mention Israel, he’d have created the platonic ideal of a Times arts story. [NYT]

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The March of Regie

Our Own Ercole Farnese exercised his sharp eye for detail almost before La Cieca got the most recent Regie quiz posted: within 25 minutes he identified the work in question as Norma. We have video of the controversial Peter Mussbach staging after the jump.  

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Housekeeping: the art of conversation

La Cieca has heard a few complaints that the “threaded” comments format (you know, “2, 2.1, 2.2, 2.2.1,” etc.) can be difficult to untangle for occasional visitors. While we’re not quite up to unthreading the comments, we do want to keep the cher public happy. So what do you think about the following options for […]

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Brits blow it again

A drag queen friend of La Cieca’s — long before she was La Cieca — used to have an expression she to describe the terminally inept. The queen would say, “That guy could screw up a blowjob.” By which she meant, of course, receiving a blowjob, i.e., just sitting there, or standing there or whatever.

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Peak performance

On this upcoming otherwise dreary Tuesday afternoon, La Cieca hopes the cher public will all be figuratively glued to their PCs and Macs for a live web telecast of Werther from the Opéra-Bastille.

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Featuring that miracle of the age, electric light

In Zurich, the 20th century has apparently never ended. Opening on Thursday, a “revival” of Nabucco conducted by Nello Santi, directed by Jonathan Miller, and starring Maria Guleghina (Abigaille), Juan Pons (Nabucco) and Carlo Colombara (Zaccaria). Unfortunately, budget constraints prevent us from hearing the Fenena of Agnes Baltsa…

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Now it is my turn to chat

Could there be any more “parterre” a way to spend a Saturday afternoon than listening to a broadcast from half a century ago of what must surely rank among the queerest operas ever written? Don’t bother to answer that, it’s a rhetorical question, and while we’re on the subject, you do not know how to […]

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Diversifying

“In two Verdi operas per formed less than a week apart, legendary tenor Plácido Domingo revealed that, as a conductor, he makes an OK baritone.” Our Own JJ reviews Simon Boccanegra and Stiffelio at the Met. [NYP]

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