La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
La Cieca would like to welcome back into the parterre fold some members of the cher public (in the 10023 zip code, to be specific) who went missing for the past couple of months. We rejoice that those who were lost are now found!
Since Attila is in the forefront of our thoughts right now, and since the prima of the Met’s production won’t be broadcast, La Cieca thought it would be handy to have a Riccardo Muti performance of the Verdi work as a common point of reference.
La Cieca has the first top-secret highly classified eyes-only report from inside the hermetically sealed Attila dress rehearsal at the Met. Our spy (possibly pictured above) speaks out — after the jump, naturally.
La Cieca is delighted to hear that the Opéra de Paris and soprano Natalie Dessay just last night performed an hommage to Maria Callas by recreating one of the most famous nights of La Divina’s career. Unfortunately, that “night” was January 2, 1958, and in the intervening half century, opera management still hasn’t learned its…
Soprano star of MGM’s golden age Kathryn Grayson died yesterday. The leading lady of Anchors Aweigh, Show Boat and Kiss Me Kate was 88.
“If it appears the Division of Gerontology, Geriatrics and Palliative Care is attempting to commandeer Birmingham opera, there is a reason. ‘It’s because we are,’ says Andrew Duxbury, M.D., professor in the division. ‘We are taking over the opera’.” [UAB Reporter Online]
You know, La Cieca lived through the 1980s, just barely, and then imagine her surprise when, midway through the 2000s, there was a revival of all that 80s stuff — shoulder pads, leggings, big hair, glitter. All of it. Well, no, not quite all of it. There was one trend of the 1980s whose revival…
La Cieca hears whispers from rehearsals of the Met’s eagerly-awaited new production of Attila that maestro Riccardo Muti is somewhat more, shall we say, engaged in the process than your average stick-waver.
UPDATE! UPDATE! The press release just went out, and Lawrence Brownlee will sing Tonio tonight! La Cieca has just heard that both Diana Damrau and Juan Diego Flórez will cancel tonight’s performance of La Fille du Régiment at the Met. Subbing will be Leah Partridge and Lawrence Brownlee.
When La Cieca’s wrong, she’s wrong. She really had no idea until today that Leontyne Price and Luciano Pavarotti shared the operatic stage any time besides that one-off Aida in San Francisco. But when confronted with proof in the form of an mp3, well, she’s going to be the first to admit her error.
Our Own JJ discusses Maria Callas and her Voice Of Perfect Imperfection with NPR’s Lynn Neary.
Will was the first cher pube to firmly commit to Don Pasquale, and as such he will be counted the winner of our most recent Regie quiz. Special thanks to eckermann, who earned “Le Mot du Jour” for his meticulously detailed (if totally off-base) analysis.
La Cieca and her panel of experts were overwhelmed at the level of sheer lexicological cleverness exhibited by so many of the cher public in our More than words can say competition. Of the many brilliant responses, the judges have managed to choose an overall winner (who will receive the promised gift pack) plus several…
She Who Has More Sobriquets Than Changes of Facial Expression continues her second half-century.
A brace of profiles in the March issue of Opera News engage the reader in a fascinating game of “the same, but different.” Simon Keenlyside and Paulo Szot are both baritones; both handsome, sexy men; and they’re both adept in classical and more modern musical theater forms. Both gentlemen are starring in new productions at…
It’s that time of week once again, cher public, the Saturday afternoon chat accompanying the Met’s matinee broadcast. The topic of today’s colloquy? Why, it’s La Fille du Régiment beginning at 1:00 PM!
The Mexican soprano is 70 years old today.
UPDATE: A press release has just gone out announcing “The Metropolitan Opera and the English National Opera (ENO) will co-produce a world premiere production of composer Nico Muhly’s first opera.
La Cieca hears that the planned Decca recording of Giulio Cesare, to be based upon live concert performances this week in Paris, has been canceled.
“People approach me now and say things like, ‘We loved your hair last week, but the jacket the week before was even better’.” [Wicked Local Norwell]
This one’s not a quiz, because the concept is so elegantly obvious: Das Rheingold as an episode of Baywatch, with the Nibelung’s anvils replaced by a handier set of percussion instruments.
The legendary Russian mezzo-soprano has died after a brief illness. She was 85.
Rumor has it the NYT will do at least five full-time hires and bring in another half-dozen or so dedicated freelancers to provide in-depth coverage of the artistic event of of the decade: next summer, Leon Botstein conducts Franz Schreker. [Bard Summerscape]
“To Kettles Yard in Cambridge for the premiere of a new song cycle by Richard Baker, performed by baritone Christopher Purves and pianist Andrew West. Having started off in Harvey and the Wallbangers, Purves is now a rising British operatic star: he will sing Beckmesser at Welsh National Opera alongside Bryn Terfel in Die Meistersinger…
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
