La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
“Francesca Zambello, the new general and artistic director of the Glimmerglass Opera in Cooperstown, N.Y., has put an immediate stamp on the institution, changing its name to the Glimmerglass Festival and adding a regular piece of musical theater to the agenda…. The musical will be Irving Berlin’s Annie Get Your Gun.” [NYT]
It’s too bad bookmakers don’t offer odds on the casting predicted on Bradley Wilber’s Met Futures Page. Because, if they did, it would be hilarious to see just how long the odds would be against a 2011-2012 “NABUCCO with Maria Guleghina.” Or do you think there is any less likely casting anywhere in the latest…
A century ago, Mary Garden parlayed an interview with the New York Times on the subject of her bizarre attire into blatant promotion for an upcoming tour date. Miss Garden truly was the Lady Gaga of her day. [The Awl]
Next music director at the Metropolitan Opera? Well, it’s sure not going to be Yannick Nézet-Séguin. [NYT]
La Cieca hears that Opera Orchestra of New York’s 2010-2011 season will represent a step up from last two years of stopgap recitals as well as a step back from the three-opera seasons of yore.
No luck with last week’s Regie quiz, cher public? In fact, nobody guessed the answer, perhaps because La Cieca didn’t include a photo of the title character of the opera. Check after the jump for said photo.
UPDATE: La Cieca is going to call this one for L’elisir d’amore from LOC, though depending on the enthusiasm and whim of the cher public, we may dart over to La donna del lago in midafternoon. Details after the jump.
The tutelary goddess of parterre.com performs a few phrases of La bohème — in 2010.
“If [Francesca] Zambello were a composer, she would surely be Meyerbeer.” [MusicWeb International]
A young opera fan is looking for advice.
Congratulations to La Cieca’s old, old, old friend Wenarto on the occasion of his 1,000th video on YouTube!
The tuneful Peruvian was born June 9, 1891.
After the jump, a preview glimpse of Deborah Voigt and company in San Francisco Opera’s production of La fanciulla del West.
La Cieca has heard that, not to be outdone by Peter Gelb‘s discovery of hot young directors like Luc Bondy and Patrice Chéreau, NYCO’s George Steel is boldly leaping forward into the 20th century by signing up Peter Sellars for a series of productions. In other music news, everyone down at Danceteria is just wild…
It’s true, it’s true! Bernadette Peters and Elaine Stritch are going into A Little Night Music! The iconic pair will open in the show on Broadway on July 13. Note: autoplaying video and after the jump!
La Cieca’s faithful spies once again have done their jobs well! What you learned here a week and a half ago about refitting to the Met stage to accommodate the ginormous weight of the Lepage Ring set has finally made its way into the New York Times. Also (love him or hate him) you have…
The greatest week in the history of show business begins today in preparation for the Drop of That Album here in the USA, at this writing barely 15 hours away. In support of this release, Renée Fleming is making a whirlwind tour of personal appearances, including a command performance last night before President and Mrs.…
Which Hochdramatische will lay down her spear and shield during the summer of 2011 to take up firearms for a Berlin debut? (PS: Not the city, the composer.)
Market forces at work in a London music shop.
Leonard Slatkin explains to the Detroit Free Press that everything was going great guns with the Met Traviata rehearsals until he played stage director, telling Alfredo (James Valenti) to take visual focus in the final seconds of the opera.
Who could be more qualified than Loge to declare, “It just seems to be screaming Walküre to me.” The production doing all that screaming was by Barrie Kosky for the Staatsoper Hannover. La Cieca trusts you too, cher public, will scream — this time with delight — when you divine which opera is represented after…
This cheerful mug is an image from the trailer for La Scoopenda‘s laff-riot CD I Hope They Serve Beer in Hell or whatever it’s called. Video (which incidentally serves as an elegant proof of Dr. Repertoire’s Seventh Rule for Stage Directors) after the jump.
So, speaking of Jonas Kaufmann, who’s up for a chat during this afternoon’s webcast of Don Carlo at 1:00 pm? (Yes, I realize it’s not quite live, but it’s the most interesting offering La Cieca can see, and she received rapturous reports on the performance from a trusted colleague.) Details after the jump.
A snippet of last week’s performance of Le Grand Macabre, after the jump. There’s more video plus details on next week’s broadcast of the Ligeti at nyphil.org.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
