La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
“Ms. Zambello’s production has plenty of 3-D-friendly texture. The opening scene includes women standing next to a trough of water, dipping their hair in and flinging it back, spraying the stage with water. A real donkey, chicken and black stallion appear. Two acrobats dance and flip across the stage. Confetti flies and ribbons wave. Cast…
Opera Orchestra of New York will jump-start its new incarnation in 2010-11 with a double bill of La Navarraise (Roberto Alagna, Elina Garanca) and Cavalleria rusticana (Alagna again, with Maria Guleghina and Mignon Dunn[!!!]), conducted by Music Director Designate Alberto Veronesi at Carnegie Hall on October 25. Eve Queler returns to the podium for L’Africaine…
In honor of the 40th anniversary of Gay Pride (the 40th official anniversary, anyway) coming up this weekend, La Cieca proposes this week’s YouTube contest theme: “Tout gai!”
La Cieca’s old, old, old friend Intermezzo (not pictured) reacts to last night’s prima of Manon at the Royal Opera: Anna Netrebko “sang strongly, the voice fuller and darker than ever before, looking gorgeous” and Vittorio Grigolo‘s “technique and stamina were truly spectacular.” The pair “were, deservedly, a huge hit with the audience…. authentic and…
[Castrati] “were notorious for their sexual adventures [and] presumably able to overcome liabilities like an underdeveloped penis and variable erectile function.” So, really, all things considered, maybe castration wasn’t so bad after all. [Failure Magazine]
La Cieca congratulates winner Stevey (not pictured) for his masterful curatorial efforts in the “Now That’s How It’s Done” challenge, and the DVD of the Metropolitan Opera Gala 1991: 25th Anniversary at Lincoln Center will soon wing its way Steveyward.
Mlle. La Taupe continues to report from San Francisco’s Die Walküre: “I neglected to comment about the photos of the fallen heroes, posted upon the jungle gym-like structures on the Walkuerenstein. To be noted as they are photos of fallen soldiers in recent American wars. Pictures are shown by courtesy of and with permission from…
Congratulations to Bill, who submitted comment number 125,000!
In honor of all the gala things happening to Charles Busch this summer (including the 25th anniversary of his seminal play Vampire Lesbians of Sodom and the Channel 13 telecast of the documentary The Lady in Question is Charles Busch), La Cieca is delighted to republish an interview the playwright/male actress granted to parterre box…
That trio of delicious candy-covered ladies tempted you to all sorts of wrong guesses, cher public, but nobody could figure out their relationship to each other, which would surely have given the game away. They’re cousins, you see, and the work in which they appear is Offenbach’s La Périchole as presented at the Komische Oper…
UPDATE: The results are in, and the topic for this afternoon’s chat session will be Maria Stuarda. Please look after the jump for details.
La Cieca is of the opinion that there are some sopranos who can act Manon, some who can sing Manon, and some who simply are Manon. This snippet from a recent interview may suggest which category Anna Netrebko fits into.
“Renée Fleming‘s thrilling new album ‘Dark Hope’ (Decca) debuts at #151 today on the Billboard Top 200 chart, with the highest first-week sales of the superstar soprano’s storied career…. The debut follows a performance by Fleming of Muse’s ‘Endlessly’ last week on Good Morning America, and major print and online coverage including two arts cover…
La Cieca proposes a new weekly competition: she provides the theme, you provide the examples. This week: “Now, that’s how it’s done!”
“Even if you’re not going to the concert, you can visit the website www.mariinsky.ru and decide Guleghina’s fate.” These words fraught with doleful moment invite you, the cher public, to play at gods with the repertoire of soprano Maria Guleghina (not pictured).
The Ginger Galli-Curci was born June 18, 1903.
Our Own JJ (not pictured) interviews the legendary Charles Busch and goes on to muse on drag (not in drag, on drag) at the new joint venture Thirteen/Capital.
Zack Woolfe, shirtless, and Seth Colter Walls take the High Line when deconstructing Dark Hope. [The Awl]
Further proof of the endemic menace of casting singers purely for appearance is this photograph of the dewy juvenile leads in Simon Boccanegra promoting tonight’s Channel 13 telecast of the opera.
The good news is that the Met reduced its operating deficit for 2008-2009 to $1.3 million, down from $12.2 million a year earlier. The bad news is the company’s assets fell by $72.6 million (down to $422.7 million) primarily because of investment losses. In other news, the Met paid James Levine a bit more than…
The Canadian contralto opera artist and recitalist has died. She was 79. [The Globe and Mail]
Next time you feel like rolling your eyes at one of La Cieca’s informal for-entertainment-only polls, put then back in your head and gaze on this silliness.
The music video we have all been waiting for.
Departing Wiener Staatsoper General Director Ioan Holender has signed a two-year agreement to act as consultant to the Met. La Cieca speculates: is he replacing the less than effectual Eva Wagner-Pasquier? [Die Presse]
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
