James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
French actress and Bond Girl Eva Green (Casino Royale) is in talks to star as Maria Callas in a biopic from Italy’s DeAngelis Group (DAP) and British producer partner Future Films. The project will be co-produced by Swarovski, “whose bling was often worn by the iconic opera star on stage and off.” [Hollywood Reporter]
As Strephon so tactfully intimated, last week’s Regie quiz did indeed represent a “domestic and intimate” production of Verdi’s Luisa Miller, as staged by Stephen Medcalf for the Buxton Festival. (The performance of the name part by Susannah Glanville sent veteran operagoers’ tongues to wagging “Not since Fretwell!”)
“James Levine has served the Boston Symphony Orchestra honorably, and deserves to continue as music director if his health bounces back quickly. If he’s not able to return to full strength in a reasonable time, he should resign and allow the orchestra to search openly for a replacement.” [Boston Globe]
What a concept, or La Cieca should say what a concept! This is Regie at its finest and most boldly satirical, genius that makes Graham Vick look like two-day-old steak frites. For this production of Puccini’s Manon Lescaut, the director (unnamed, alas in the YouTube clip below) utilizes the cinematic convention of the flash-forward in […]
I guess we all should have seen this one coming.
The pickings are slimmish this week for online listening Saturday afternoon, but those of you who are up and around by 11 AM may want to tune in to Die Meistersinger on BBC Radio 3, a concert performance by the Welsh National Opera starring Bryn Terfel. (Though I warn you: per the the Beeb’s website, […]
The building that used to house Amato Opera will be repurposed into “a 100-seat theater showcasing work from various theater troupes,” plus “a 70-seat restaurant and bar,” which means that it’s just possible that at least sometimes opera companies may perform there again — assuming the rental on the theater space is not too prohibitive. […]
Okay, so here’s that Luc Bondy production of Tosca again, this time as seen at the Bayerische Staatsoper earlier this summer, with the “original cast” of Karita Mattila and the singer who did all the rehearsals in New York until the last week, Juha Uusitalo. They rehearsed again for the co-production in Munich for festival performances and […]
La Cieca was thinking that what with all the reading ye cher public are doing at the beach (or, more likely, bars and steam rooms and museums or wherever you hole up) it might be an interesting experiment to convene a virtual (i.e., online) book discussion. Except, instead of Oprah’s Book Club, this will be […]
“Though the new sound system couldn’t make Central Park’s SummerStage sound like a concert hall, the first of the Metropolitan Opera’s Summer Recital Series made sweet dinner music Monday for 3,800 listeners and their picnics.” [New York Post]
The Australian conductor and authority on the operas of Janácek and Mozart died earlier today in London. He was 84.
“Internationally acclaimed opera singer and arts administrator Plácido Domingo, General Director of Washington National Opera (WNO), will lead a group of his protégés in a concert performance of Verdi’s Rigoletto on August 2, 2010, at Beijing’s Reignwood Theater…. The concert performance marks the first time that Domingo, a legendary tenor who has recently made highly […]
The lovely and personable Jumping Clapping Man will act as host/coordinator of the first-ever Norcal Parterre.com Gathering Demented Mini-Conference (as seen in the above artist’s rendering). Details after the jump (and clap).
“…by any standard, Meade’s is a very fine Norma — and, as a first attempt at this Mount Everest of a role, it’s simply a miracle.” [New York Post]
So a member of the cher public writes, “The odious Command Opera says that Netrebko has cancelled the Mariinsky Bolenas” which, according to the Mariinsky site certainly seems to be true. Or at least what seems to be true is that the rumored or planned production of Anna Bolena at the Mariinsky is not happening […]
The Norwegian dramatic soprano, often called “the voice of the century,” was born 115 years ago today. The hard-working singer became a sensation “overnight” when, after the first act of her Met debut as Sieglinde, she was hailed by intermission commentator Geraldine Farrar as a new star.
More of you than La Cieca can mention managed to unveil the solution to last week’s Regie quiz: it was indeed Don Giovanni, as presented at Oper Köln and helmed by Uwe Eric Laufenberg. (A video on the Oper Köln website offers further visuals.) And now… something a little less extravagant?
Which tenor, who’s notorious for his off-the-chain antics, recently gave his colleagues the willies when he sauntered about backstage butt-naked?
Here’s home base for the cher public’s afternoon opera listening, whichever of the multitude of selections you choose to follow.
“My goal is just to make as many people happy with my throat as I can.” [Time Out New York]
“Why is the needlessly naked executioner so coy about showing us his wobbly bits?” [The Telegraph]
No, there never was an answer to that celebrated Lewis Carroll conundrum, but its inexplicability pales into insignificance next to the query sent in by loyal reader S.A.: why is Jack Black covering Bryn Terfel in the Met’s Ring?
Sweet Betsy again rounds up the Saturday afternoon listenables. La Cieca leans toward Manon naturellement, but she should warn you that she’s off like Des Grieux’s cassock at 3:00 pm to jump on the Caramoor Caravan. After the jump (not onto the Caravan!) the complete list of what’s singing who.
Finally, after all these months, La Cieca begins to understand the ways of Fthà in arranging the universe so that Francesca Zambello would be chosen new honcho (honcha?) of the Glimmerglass Festival. At first it seemed this turn of events was to transpire only so that dear ‘Cesca could stage half-baked feminist rewrites of Annie […]
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.
