La Cieca
James Jorden (who wrote under the names "La Cieca" and "Our Own JJ") was the founder and editor of parterre box. During his 20 year career as an opera critic he wrote for the New York Times, Opera, Gay City News, Opera Now, Musical America and the New York Post. He also raised his voice in punditry on National Public Radio. From time to time he directed opera, including three unsuccessful productions of Don Giovanni. He also contributed a regular column on opera for the New York Observer. James died in October 2023.
La Cieca is delighted to congratulate Dame Gwyneth Jones, born November 7, 1936, on her diam0nd birthday anniversary. At 75, Dame Gwyneth is still active, both as the President of the Wagner Society of Great Britain and as a performer, scheduled to return to the Vienna State Opera in the spring of 2012 as Herodias…
Among a number of very amusing guesses (bravi tutti!) at last week’s Regie quiz, our Camille actually was not too far off. No, it wasn’t Menotti, but it was a children’s opera, a new work called Mikropolis (“Die abenteuerliche Insektenoper von Christian Jost“) as performed at the Komische Oper Berlin. A more standard piece (though,…
Open your eyes, sleepyheads! In the news this morning, our own JJ raves about Satyagraha at the Met (“a masterpiece of musical and visual art”); the ever-articulate Nico Muhly takes aim at the Met’s production values (“Mercedes Bass or Anne Ziff paid for the opera. What do you think is going to happen?”); and NYCO’s…
So, when is a diva’s expected surprise guest appearance really a surprise? When she doesn’t appear, of course—though, to be sure, with her track record, a last-minute cancellation is no surprise at all. What is perhaps surprising is the repertoire kerfuffle that escalated into the no-show: apparently not everybody can live for art.
The cher public (pictured) is invited to promenade, play cards, consult with matchmakers, gossip about that wicked Marquise de Merteuil, and, oh yes, discuss anything off-topic during this lovely week of November 6, 2011.
“Due to illness,” Betsy Ann Bobolink is “unable” to “perform,” so the role of chat coordinator will be taken by Cesar Romero‘s bastard grandson Mervyn (not pictured), who thanks you for your indulgence.
“’I’ve almost come to the conclusion that this Mr. Hitler isn’t a Christian,’ muses merry murderess Abby Brewster early in the first act of Arsenic and Old Lace, and to tell the truth I’m beginning to think I’m almost as far behind the curve as she was. Recent new productions at the Met suggest strongly…
Says the Met press office (a propos of nothing much on a quiet Friday afternoon): “Principal Conductor Fabio Luisi will conduct the Met’s new production of Wagner’s Götterdämmerung which premieres January 27, 2012, and continues on January 31, February 3, 7, and 11 matinee. Luisi will also conduct the MET Orchestra concert at Carnegie Hall…
Cher public, if you’re anything like La Cieca (pictured), you won’t have any time for lounging about in your silk pyjamas this week because the opera schedule is such a glamorous whirlwind one scarcely has time to breathe!
It would be a shame, I think, if EMI’s stunt video of Angela Gheorghiu “in duet” with Maria Callas backfired powerfully enough to prevent serious opera fans (well, okay, let’s say “enthusiastic opera fans,” that’s more like it) from listening to the Romanian diva’s new CD Homage to Maria Callas. There’s a lot on this…
The already notorious or celebrated or whatever it is version of the “Habanera” featuring (in alphabetical order) Maria Callas and Angela Gheorghiu: it’s been released, and you can experience after the jump.
Composer Nico Muhly took a break between operatic world premieres to order a daiquiri and talk to our own JJ about height, haters and flight path. [Capital New York] (Photo: Peter Ross)
The Machine malfunctioned tonight in Siegfried at the Met, only one performance behind schedule. La Cieca is told that the final transition to the “Valkyrie Rock” could not be completed. “Just as Siegfried was starting his climb, multiple planks thudded into ‘down’ position. Lots of shouting into walkie-talkies. The set never moved again,” a witness…
La Cieca supposes that maybe the reason Angela Gheorghiu doesn’t include any music from Manon Lescaut on her new “Homage to Callas” CD is that she can’t quite identify with the character?
La Cieca is always happy (if a little envious) when another critic expresses exactly how she feels about a musical event (such as Jonas Kaufmann‘s recital last Sunday at the Met) because that means she doesn’t have to blather on and on about it. Instead she can simply reply, “Check out what Zachary Woolfe has…
Of course, we all know a Marilyn Horne anecdote without a four-letter word is about as plausible as a martini without gin, but the tale that kicks off her Q&A with Zachary Woolfe is particularly bracing. You’ll be both shaken and stirred by this interview in the current Capital New York.
Though the headline seems to apply a whole series of epithets to a revered critic (“Stand-In Meets Sweet Snake, Shrieky Diva, Grumpy Dad: Manuela Hoelterhoff”), the actual review of the Met’s Siegfried on Bloomberg offers more than purely comic interest. While La Hoelterhoff is no better than usual as an opera reviewer, she does briefly…
The little gray cells of operalover9001 were functioning at full capacity last week, raciocinating that the fuller-figured soloists must imply a heavier sing. And, yes, the mystery opera was a very hard sing indeed, Les Troyens at the Badisches Staatstheater Karlsruhe, directed by David Hermann. This week’s quiz promises to be as difficult to guess…
Get your effete knives out for general interest and off-topic conversations for the week of October 30.
And standing in the door of La Casa della Cieca (pictured) was little Betsy Ann Bobolink, who, instead of lisping “Trick or treat!”, drawled affectedly, “In the spirit of mutual respect and commonality that so pervades our modern society, and has even at times crept onto these pages, here’s what’s available for listening (and chatting)…”
This may seem a bit of a stretch, cher public, but stay with me. La Cieca introduces a new feature on parterre, named after not Lois Lane (pictured) but rather Lois Kirschenbaum, legendary Gotham opera fan. This Lois is widely regarded as a bellwether of noteworthy performances; or, to put it another way, if Lois…
Yes, I think perhaps lookism has finally gone too far.
“It’s the understudy’s job to save the show, and that’s just what Jay Hunter Morris did Thursday at the Met in the daunting title role of Wagner’s Siegfried.” [New York Post]
Says the Met press office this bright, sunny Friday morning: “Jay Hunter Morris will sing the role of Siegfried in the new production premiere of Wagner’s Götterdämmerung on January 27, and in the performances on February 7 and 11. He replaces Gary Lehman, who has withdrawn due to the continued effects of a viral infection.”…
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
