Brendan Latimer
Brendan Latimer is a writer and urban planner based in Baltimore, MD. He first fell in love with opera as a kid watching Met productions on laserdisc with his dad, who was a lover and collector of all things opera. In high school, Brendan played the clarinet line of Otello, which continues to be his favorite work. Professionally, Brendan is interested in narrative history and the intersection of society and the built environment. In addition to opera, he enjoys watching baseball and playing with his tuxedo cat, Cholla (pronounced cho-yah). You can find Brendan on Instagram at b_lat_
Brendan Latimer hitches a ride with members of the “site-responsive opera” movement who are taking their shows out of the opera house — and out of the box.
Confused dramaturgy dampens an otherwise sparkling night of singing in Opera Baltimore’s Lucrezia Borgia.
A uniformly strong cast triumphs over a dull production of Don Carlos at the Dallas Opera.
Brendan Latimer sits down with Francesca Zambello and members of the cast of Washington National Opera’s production of Aïda to discuss the complicated legacy of one of Verdi’s most beloved works and the tricky business of “inventing the truth.”
Sherrill Milnes sits down with Brendan Latimer to talk about his life, career, and what he hopes to pass along to the next generation
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
