April 2006
La Cieca has just learned the scheduled roster and repertoire for the Volpe Farewell Gala to be performed on Saturday, May 20 (and, if all this music stays in the show, part of May 21 as well.) Deborah Voigt will open the program with special material by Ben Moore, accompanied by Brian Zeger. The first…
La Cieca, who only yesterday was perpendicular hanging from a cable car, has been annoying San Francisco natives this week by humming the immortal theme song of that city by the bay while strolling her streets. (That’s the Jeanette MacDonald song, not the Tony Bennett number, but that’s not the point here.) Providing a welcome…
La Cieca’s on vacation this week, but here’s something to watch until she returns.
“Not since Delia Rigal,” comments one of La Cieca’s regular correspondents, referring to the ongoing (not to mention inscrutable) publicity juggernaut for soprano Erika SunnegÃ¥rdh. Now she’s headlining a revised concert program for the Met Orchestra at Carnegie Hall on May 14. According to an “URGENT” press release sent out yesterday, La SunnegÃ¥rdh will be…
La Cieca has just learned that the winner of the 2006 Richard Tucker Award is tenor Lawrence Brownlee. Career Grants will go to Kate Aldrich (mezzo-soprano), Jordan Bisch (bass), Quinn Kelsey (baritone), Dimitri Pittas (tenor) and Gerald Thompson (countertenor). Sarah Tucker Study Grant winners include Stephen Costello, Ann McMahon Quintero and Trever Scheunemann.
Yes, the opera is Aida, of course, but is La Cieca the only one who thinks these three should be singing “It’s Raining Men?”
Oh, it’s been a lot of years since La Cieca’s days in the campy cabal. How long, you ask? So long that she plumb forgot the moment where Lohengrin hands Elsa the Cockring of Remembrance. Dies Horn soll in Gefahr ihm Hilfe schenken,in wildem Kampf dies Schwert ihm Sieg verleiht;doch bei dem Ringe soll er…
Which diva is more than a little miffed at Met management at the moment? It seems that a major cast change in her opera was a done deal — even posted on metopera.org — while she waited for a frank — or for any — word from those in charge.
Speaking of Montserrat Caballe and Anna Bolena — well, let’s speak of them in the same sentence. From February 21, 1982, a performance of Donizetti’s masterpiece, starring Montse opposite the loggionisti of La Scala. Blood was left on that stage, and it wasn’t all hers. That’s this time on Unnatural Acts of Opera.
Enrico Stinchelli and Michele Suozzo, the hosts of La barcaccia, are not amused by Edita Gruberova‘s improvements on Donizetti’s score for Anna Bolena. (They call her “Anna Mi Bemollena,” or “Anna E-flat-ena.”)
What was probably parterre.com’s first experiment in multimedia, now updated:Just Jessye!
To salute the American spinto soprano, an assortment of podcasts from Ed Rosen, Charles Handelman and yours truly. Just click on the “play” button and turn up your speakers!
For Good Friday, a decidedly non-traditional Parsifal Act Two. Renata Scotto sings her only performance ever of Kundry in this April 14, 1995 performance featured on Unnatural Acts of Opera.
Beloved diva Montserrat Caballe is 73 today!
Finally, finally La Cieca has an updated archive/download page for all the “Unnatural Acts of Opera” podcasts. Enjoy your downloading and please let her know if any of the links don’t work for you. (And, as always, note the Amazon Honor System box in the right nav bar; that’s what keeps the podcasts and the…
In La Cieca’s inbox this AM: “I work at the Met and am so pleased to see clarified the entire Erika Sunnegardh mystery. It had actually never occurred to me that the Godfather Himself was behind this, but it makes perfect horrible sense. We (the worker bees) cannot WAIT for him to be history (lower-case…
Broadway/cabaret legend and devoted opera buff Barbara Cook conducted a master class in show tune interpretation at the New York Public Library on February 21. Through the miracle of streaming video, you can now see and hear that extraordinary session.
So, who said this? “… all opera hovers on the border of parody. No other performing art — except possibly dance — so exposes its practitioners to ridicule. Part of the thrill of opera is pitting sheer volume against human limitations, the constant awareness of the possibility of failure.” Was it James McCourt? Ethan Mordden?…
Those geniuses at YouTube just made the service even more friendly, if you can imagine such a thing. Now La Cieca can insert into a web site a player that includes a choice of 50 different opera videos. You’ll want to bookmark the new Unnatural Acts of Video page.
Next up in the spring podcast season, Act 1 of Die Walkuere starring Eileen Farrell, James King and Michael Langdon. Leonard Bernstein leads this sizzling 1968 performance. Unnatural Acts of Opera.
“Be a first rate version of yourself, not a second rate version of someone else.” That’s the advice Judy Garland gave Liza Minnelli, and I think we can all agree that dear Liza took those words to heart with great success. At the moment, though, La Cieca is wondering how Judy would feel about a…
Gloria Monty, the TV producer who helmed General Hospital during the golden “Luke and Laura” years, died on April 4. She was 84. Perhaps Ms. Monty’s greatest claim to fame was the stunt casting of a 60-something Joan Crawford as an emergency substitute for daughter Christina Crawford on the soap Secret Storm. As Bob Thomas…
Like many of you, La Cieca was a little surprised at the blitz of publicity attendant upon the Met debut of Erika Sunnegardh last Saturday afternoon. A front-page feature in the New York Times, and then, a few days later, a followup article with photographs taken in the soprano’s dressing room. But did you notice…
At last night’s Don Pasquale prima, Juan Diego Florez was “souffrant” but sang the first two acts, then ceded the role to Barry Banks, who apparently rose to the occasion beautifully. Eduardo Villa sings the final Luisa Miller tonight, theoretically opposite Veronica Villaroel, who did sing the performance on the 29th (was anyone there?) Neil…
Tell us: What was the best of 2025?
Parterre Box concludes the thrilling first year of Talk of the Town by inviting your lightning rod opinions on several more categories of operatic argumentation.
