She does not possess the ball-busting voice of a Gorr, Barbieri, or Zajick, true, but my goodness, she was in total control of her paradoxically cool but vibrant instrument, enough that she interpolated veristic inflections in this scene but also sang a soaring line that culminated in rock-solid sustained B flats. The audience erupted; I screamed ‘Brava Garanča’ so loudly my throat hurt, despite my exhaustion from getting there with fifteen minutes to spare after a day-long flight delay.
The best thing I saw in 2025 was Elina Garanča in Aïda
Elina Garanča scaled the vocal and dramatic summits of the Judgement Duet and Scene in the May series of Aïda.
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